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在漫长的历史长河中，史前人类的生活一直是充满神秘色彩的领域，他们的社交行为，作为人类社会发展的重要组成部分，为我们对史前文化的研究提供了关键线索。在人类尚未发展出文字记录的背景下，我们只有依靠考古发现来拼凑出那个遥远时代的社交图景。
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\n《藏乡情》
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蒲文寿
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","createTime":"2023-07-20 17:48:47","createUser":1664171275664359425,"exId":16,"id":152,"seriesId":13,"sortValue":10000,"status":0,"title":"凤台留云"},{"content":"史家星
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\n陈荣强《塔尔寺》
\n黄沛沛《城隍白榆》
\n袁宗福《香水园》
\n秦川《日月山》
\n金长征《东关大寺》
\n侯志光《丁香映古寺》
\n金长征《南关清真寺》
\n李宝宗《文峰映日》
\n杨少彤《大通广惠寺》
\n刘建鹿《北禅寺》
\n李宝宗《基督教堂》
\n蒲文寿《金塔寺》
\n王龙平《山陕会馆》
","createTime":"2023-07-21 11:05:30","createUser":1664171275664359425,"exId":18,"id":193,"seriesId":17,"sortValue":10000,"status":0,"title":"名胜古迹 "},{"content":"张克元《青唐遗址公园》
\n赵强《虎台遗址公园》
\n李俊杰《丹噶尔古城》
\n孙晋青《金娥余辉——大通明长城》
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\n蒲文寿《西路军纪念馆》
","createTime":"2023-07-21 11:17:34","createUser":1664171275664359425,"exId":18,"id":195,"seriesId":17,"sortValue":10000,"status":0,"title":" 红色记忆 "},{"content":"韵文江《夜色昆仑桥》
\n韵文江《夜色浦宁之珠》
\n王龙平《香格里拉》
\n王文龙《城市列车》
\n王文龙《放飞梦想》
\n侯志光《商业巷夜景》
\n朱文娟《通海桥》
\n李忠盛《西宁火车站》
\n张允海《中心广场景象》
\n张克元《曹家堡机场》
\n张建青《拱辰门》
\n曹正海《火烧沟风景》
\n曹正海《泮子山电视塔》
\n赵强《共字桥》
\n李俊杰《大剧院》
\n杨少彤《科技馆》
","createTime":"2023-07-21 11:21:37","createUser":1664171275664359425,"exId":18,"id":196,"seriesId":17,"sortValue":10000,"status":0,"title":"时代新貌"},{"content":"张斌《南佛山》
\n朱锦明《老爷山》
\n朱锦明《黑泉水库》
\n秦川《麒麟湾公园》
\n袁宗福《石峡清风》
\n徐子清《凤凰山景》
\n徐子清《九眼泉风景》
\n李忠盛《三榆街景》
\n刘建鹿《莫家街》
\n陈海强《西山植物园》
\n陈海强《娘娘山风景》
\n张建青《双湖烟柳》
\n陈荣强《湟乐公园》
","createTime":"2023-07-21 11:25:07","createUser":1664171275664359425,"exId":18,"id":197,"seriesId":17,"sortValue":10000,"status":0,"title":"光耀夏都"},{"content":"刘忱《大通花海》
\n秦川《包勒村》
\n张建青《边麻沟》
\n史家星《戴家村》
\n李忠盛《卡阳》
\n张克元《兔儿干村》
\n杨少彤《陶北村》
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\n《暮出》中国画
\n《起风》中国画
\n《隐归》中国画
\n《转山》中国画
","createTime":"2023-07-21 11:42:39","createUser":1664171275664359425,"exId":19,"id":199,"seriesId":18,"sortValue":10000,"status":0,"title":"黄沛沛"},{"content":"《黄河明珠碧水丹山》中国画
\n《风景写生》布面油画
\n《走进马尼干戈》布面油画
\n","createTime":"2023-07-21 11:43:30","createUser":1664171275664359425,"exId":19,"id":200,"seriesId":18,"sortValue":10000,"status":0,"title":"秦川"},{"content":"
《过达坂》布面油画
\n《记忆的力量之那年花开》布面油画
\n《瞿昙烟云》布面油画
\n\n
《贵德写生》布面油画
\n《贵德写生2》布面油画
\n《静谧的城》布面油画
","createTime":"2023-07-21 11:49:45","createUser":1664171275664359425,"exId":19,"id":202,"seriesId":18,"sortValue":10000,"status":0,"title":"朱文娟"},{"content":"《避雨》中国画
\n《泼墨葡萄》中国画
\n《水流花放》中国画
\n《水墨动物二十册》中国画
\n《小院风清》中国画
","createTime":"2023-07-21 11:51:03","createUser":1664171275664359425,"exId":19,"id":203,"seriesId":18,"sortValue":10000,"status":0,"title":"张修安"},{"content":"《河湟觅亲》中国画
\n《家园》中国画
","createTime":"2023-07-21 11:51:42","createUser":1664171275664359425,"exId":19,"id":204,"seriesId":18,"sortValue":10000,"status":0,"title":"王龙平"},{"content":"《大河深处有人家》中国画
\n《憨》中国画
\n《羊羔花盛开的地方》中国画
","createTime":"2023-07-21 11:52:34","createUser":1664171275664359425,"exId":19,"id":205,"seriesId":18,"sortValue":10000,"status":0,"title":"谢桂贞"},{"content":"《黄河出青海》中国画
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\n《塔吉克族》中国画
\n《塔塔尔族》中国画
\n《新玉树》中国画
","createTime":"2023-07-21 14:18:45","createUser":1664171275664359425,"exId":19,"id":207,"seriesId":19,"sortValue":10000,"status":0,"title":"张权","updateTime":"2023-07-21 14:19:40","updateUser":1664171275664359425},{"content":"《千姿湖印象》中国画
\n《喜乐祥瑞》 中国画
\n《一路向阳》中国画
\n《尕让山野图》中国画
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\n《正月十五出炎官》油画
\n《秋离蒙古道》油画
\n《山里人家秋烟气》油画
","createTime":"2023-07-21 14:21:49","createUser":1664171275664359425,"exId":19,"id":209,"seriesId":19,"sortValue":10000,"status":0,"title":"曹正海"},{"content":"《草原之子》油画
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\n《故山似画屏》中国画
\n《观云》中国画
\n《三江源》中国画
\n《晚春绿野秀》中国画
\n《游云》中国画
","createTime":"2023-07-21 14:23:43","createUser":1664171275664359425,"exId":19,"id":211,"seriesId":19,"sortValue":10000,"status":0,"title":"张海红"},{"content":"《河湟陶韵》综合材料
\n《细沟秋阳》综合材料
\n《寂静藏寨》综合材料
\n《秋山家园》综合材料
\n《龙羊谷深》综合材料
\n\n
","createTime":"2023-07-21 14:25:49","createUser":1664171275664359425,"exId":19,"id":212,"seriesId":19,"sortValue":10000,"status":0,"title":"侯志光"},{"content":"
《古道寻踪》中国画
\n《天朗气清图》中国画
","createTime":"2023-07-21 14:29:12","createUser":1664171275664359425,"exId":19,"id":213,"seriesId":19,"sortValue":10000,"status":0,"title":"乔文良"},{"content":"《独白系列1》水彩
\n《独白系列3》水彩
\n《独白系列3》水彩
\n《独白系列5》水彩
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\n《阿尔金山腹地2》水彩
\n《窑庄秋色》水彩
","createTime":"2023-07-21 14:31:27","createUser":1664171275664359425,"exId":19,"id":215,"seriesId":19,"sortValue":10000,"status":0,"title":"刘建鹿"},{"content":"《暖冬》中国画
","createTime":"2023-07-21 14:31:52","createUser":1664171275664359425,"exId":19,"id":216,"seriesId":19,"sortValue":10000,"status":0,"title":"陈海强"},{"content":"《寤语》油画
","createTime":"2023-07-21 14:32:19","createUser":1664171275664359425,"exId":19,"id":217,"seriesId":19,"sortValue":10000,"status":0,"title":"李俊杰"},{"content":"《河北丹霞》
\n《拉加寺》
\n《黄河丹霞1》
\n《黄河丹霞2》
\n《群加风景1》
\n《群加风景2》
\n《民和黄河》
\n《贵德黄河》
","createTime":"2023-07-21 14:40:20","createUser":1664171275664359425,"exId":19,"id":218,"seriesId":20,"sortValue":10000,"status":0,"title":"王文龙"},{"content":"《杨林七友图》
\n《菜的花》
\n《午后庄廓》
\n《秋韵》
\n《有小雨的夜》
\n《山野》
\n","createTime":"2023-07-21 14:41:38","createUser":1664171275664359425,"exId":19,"id":219,"seriesId":20,"sortValue":10000,"status":0,"title":"韵文江"},{"content":"
《诗经——周颂 烈文》
","createTime":"2023-07-21 14:42:01","createUser":1664171275664359425,"exId":19,"id":220,"seriesId":20,"sortValue":10000,"status":0,"title":"胡晋峰"},{"content":"《波澜青海湖》
\n《刚察花海》
\n《夏日刚察》
\n《静静的山野》
\n《泉吉草原》
","createTime":"2023-07-21 14:43:08","createUser":1664171275664359425,"exId":19,"id":221,"seriesId":20,"sortValue":10000,"status":0,"title":"刘忱"},{"content":"《玉洁》
\n《清风》
\n《生命 自然》之五
\n《生命 自然》之六
\n《山啸》
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《湟水情》
","createTime":"2023-07-21 14:44:53","createUser":1664171275664359425,"exId":19,"id":223,"seriesId":20,"sortValue":10000,"status":0,"title":"李天才"},{"content":"《雁门紫塞》
\n《荷塘清趣》
","createTime":"2023-07-21 14:45:28","createUser":1664171275664359425,"exId":19,"id":224,"seriesId":20,"sortValue":10000,"status":0,"title":"张元吉"},{"content":"《烤焜锅》
\n《牧》
\n《风景》
\n《瞰》
\n《羊儿与少年》
\n《犟》
","createTime":"2023-07-21 14:46:46","createUser":1664171275664359425,"exId":19,"id":225,"seriesId":20,"sortValue":10000,"status":0,"title":"李连凤"},{"content":"《风和日丽》
","createTime":"2023-07-21 14:47:07","createUser":1664171275664359425,"exId":19,"id":226,"seriesId":20,"sortValue":10000,"status":0,"title":"刘晨曦"},{"content":"《青山绿水》
\n《晨》
\n《初春》
\n《春色》
\n《蓝色记忆》
","createTime":"2023-07-21 14:53:04","createUser":1664171275664359425,"exId":19,"id":227,"seriesId":21,"sortValue":10000,"status":0,"title":"张岩春"},{"content":"《山村晨曦》
\n《庭院梨花香》
\n《志愿者》
","createTime":"2023-07-21 14:53:49","createUser":1664171275664359425,"exId":19,"id":228,"seriesId":21,"sortValue":10000,"status":0,"title":"孙晋青"},{"content":"《古道烽燧云烟起》
\n《高原冰河不知春》
\n《古道回望忆烽燧》
","createTime":"2023-07-21 14:56:15","createUser":1664171275664359425,"exId":19,"id":229,"seriesId":21,"sortValue":10000,"status":0,"title":"韩小强"},{"content":"《核桃树》
\n《智合寺》
\n《措州水库风光》
\n《措州山村》
","createTime":"2023-07-21 14:57:49","createUser":1664171275664359425,"exId":19,"id":230,"seriesId":21,"sortValue":10000,"status":0,"title":"李宝宗"},{"content":"《暖阳》
\n《乐都 老爷山景》
\n《富贵临风》
\n《紫霞灿烂》
\n","createTime":"2023-07-21 14:58:52","createUser":1664171275664359425,"exId":19,"id":231,"seriesId":21,"sortValue":10000,"status":0,"title":"刘维东"},{"content":"
《欢乐吉祥》
\n《盛世歌舞》
\n《彩船飞舞》
\n《祥和的老羊歌》
","createTime":"2023-07-21 15:00:01","createUser":1664171275664359425,"exId":19,"id":232,"seriesId":21,"sortValue":10000,"status":0,"title":"史家星"},{"content":"《书记扶贫情满怀》
\n《歌舞欢喜庆丰收》
\n《脱贫致富奔小康》
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","createTime":"2023-07-29 16:03:17","createUser":1664171275664359425,"exId":22,"id":467,"seriesId":29,"sortValue":10000,"status":0,"title":"王龙平"},{"content":"《瑞兔开春》
","createTime":"2023-07-29 16:03:55","createUser":1664171275664359425,"exId":22,"id":468,"seriesId":29,"sortValue":10000,"status":0,"title":"张修安"},{"content":"《延续》
","createTime":"2023-07-29 16:04:54","createUser":1664171275664359425,"exId":22,"id":469,"seriesId":29,"sortValue":10000,"status":0,"title":"谢桂贞"},{"content":"中华苏维埃共和国借谷票壹百斤（上）
\n中华苏维埃共和国借谷票伍拾斤（下）
","createTime":"2023-08-24 10:15:35","createUser":1664171275664359425,"exId":24,"id":476,"seriesId":31,"sortValue":10000,"status":0,"title":"中华苏维埃共和国借谷票","updateTime":"2023-09-08 16:53:33","updateUser":7321},{"content":"沈那遗址位于西宁市城北区小桥村北，即北川河第二阶台地上，面积约10万平方米。遗址文化内涵以距今4000年左右的齐家文化为主，兼有少量马家窑文化。1948年由我国著名考古学家裴文中教授发现，时称“小桥遗址”。1979年公布为西宁市级文物保护单位，并更名为“沈那遗址”。据考证“沈那”为古藏（羌）语音译，意为依山面水、黑刺林茂密之地域。1986年公布为青海省级文物保护单位。2006年公布为全国重点文物保护单位。
\n上世纪90年代初，考古试掘发现遗址文化堆积层厚2米，出土半地穴式房址、墓葬及灰坑。房址有圆形和方形两种，其中房址内白灰面工艺为齐家文化典型特征。在房址周边出土有零星墓葬和大量不规则灰坑（截止2018年的考古勘探调查，遗址内房址、灰坑、墓葬分布密集）。出土器物有陶器、石器、骨器及玉器等。沈那遗址众多出土器物中圆銎倒钩铜矛最为珍贵，长61.5、宽19.5厘米的铜矛完全脱离了实用器物的范畴，它是凝聚沈那聚落的魂，展现着聚落的社会形态和先民的精神世界。
\n沈那遗址处于石器时代向青铜时代过渡的铜石并用时期，无论是房址的形制和建筑工艺，还是丧葬习俗，亦或是出土器物，都表明沈那遗址是齐家文化一个转型变革时代的代表性聚落遗址。
\n沈那遗址出土的玉璧、玉琮、卜骨等祭祀礼器，反映了这一时期沈那聚落在河湟流域众多聚落中的特殊地位，能够拥有祭祀礼器，掌握着祭祀权的沈那遗址无疑是西宁盆地齐家文化的中心聚落遗址。
\n沈那遗址出土的圆銎倒钩铜矛与距今4000—3800年兴起于阿尔泰山的欧亚草原东部早期青铜文化——塞伊玛-图尔宾诺文化之间的联系，证明沈那遗址是早期东西文化交流孔道上的重要节点。
\n沈那作为一个较为完整的聚落遗址，对其地理位置的选择，体现了沈那先民认识自然、利用自然的能力。在借用自然台地、沟壑、荆棘构建聚落安全防御体系的同时，折射着河湟地区早期城池的萌芽。
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699960496488353794.jpeg\")
沈那遗址旧貌
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699960619410821122.jpeg\")
规划建设中的沈那遗址公园
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699960680232423426.png\")
沈那半地穴式房屋遗址
","createTime":"2023-09-08 09:36:59","createUser":7321,"exId":26,"id":534,"seriesId":36,"sortValue":10000,"status":0,"title":"第一单元 走进沈那","updateTime":"2023-09-08 09:41:02","updateUser":7321},{"content":"齐家文化时期河湟谷地先民的生业方式由以牧业为主发展为农牧兼蓄，根本原因是气候条件的变化及东部农业生产技术的传入，直接原因则是冶金技术的发展，铜制生产工具种类逐渐丰富，数量增加，提升了耕作效率，使农业生产成为可能。
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699962346092531714.jpeg\")
沈那遗址出土齐家文化单孔石刀
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699962384139063298.jpeg\")
沈那遗址出土齐家文化石斧
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699962425452957698.jpeg\")
沈那遗址出土齐家文化石锛
\n沈那遗址大量半地穴式房屋的建造离不开对木材等材质的使用，这就促使沈那先民们制作出大量用于木材等材质加工的工具，主要包括石斧、石锛、石凿等。石斧多通体打磨，两侧开刃，主要用于木材等材质加工时的砍、劈。石锛，单面开刃，整体形制略小于石斧，主要用于削平木材。石凿，单面开刃，小而精致，主要用于木材的细加工，一般说来，石凿的使用与木材当中卯榫结构的流行有关。
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699962674758193154.jpeg\")
沈那遗址出土齐家文化双大耳陶罐
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699962699454255105.jpeg\")
沈那遗址出土齐家文化双大耳陶罐
\n齐家文化陶器多以打磨光滑的素面为主，彩陶纹饰以三角折纹最为常见，器形以双大耳罐最为流行。陶器制法一般是在泥条盘筑的基础上，经慢轮修整，并打磨光滑。沈那遗址出土齐家文化陶容器时代特征明显，个别器身还留有火烧和烟熏的痕迹，应是作为炊煮器使用的。
","createTime":"2023-09-08 09:48:01","createUser":7321,"exId":26,"id":535,"seriesId":37,"sortValue":10000,"status":0,"title":"第二单元 多姿生活——石器、陶器"},{"content":"纺织工具包括纺轮和骨锥，纺轮分石质、陶质和骨质，其中以陶质居多，主要功用为纺纱制作衣服布料。沈那遗址出土众多材质不同的纺轮，充分说明沈那先民早在齐家文化时期已经开始了普遍的纺纱制衣。
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699963366348591106.jpeg\")
沈那遗址出土骨锥
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699963393536069633.jpeg\")
沈那遗址出土骨针
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699963418202771458.jpeg\")
沈那遗址出土陶纺轮
","createTime":"2023-09-08 09:50:46","createUser":7321,"exId":26,"id":536,"seriesId":37,"sortValue":10000,"status":0,"title":"第二单元 多姿生活——纺织工具"},{"content":"沈那遗址出土的大量石镞、骨镞、石矛、刮削器和骨柄石刃刀等与狩猎类生产活动有关的工具都说明畜牧狩猎业是沈那先民重要的生业方式。刮削器刃部质硬而脆，利于切开动物的皮肉而不适于割断植物的纤维，应当与肉食的加工有关。石镞、骨镞、石矛则是重要的狩猎工具。
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699963914497986562.jpeg\")
![](\"https://pic.wentiyun.cn/xining/20230908/1699963936752963585.jpeg\")
沈那遗址出土骨镞
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699963970827489282.jpeg\")
沈那遗址出土骨刀柄
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699963998149185538.png\")
沈那遗址灰坑内的动物遗骸
\n齐家文化时期，经过长期的劳动实践，先民们已经积累了丰富的生产经验，改进了生产工具和生产方法，尤其农业生产这一时期有了较快的发展。沈那遗址出土骨铲、石刀、石杵、石磨棒都可归入此类，是这一时期农业生产发展的见证。骨铲多用动物的肩胛骨制成，铲身扁薄，刃部锋利，是当时主要的挖掘工具。石刀穿孔磨光，刃部锋利，主要用于农作物收割。石杵和石磨棒则是谷物等粮食类去皮加工必不可少的工具。
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699964069636902913.jpeg\")
沈那遗址出土单孔石刀
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699964138805170178.jpeg\")
沈那遗址出土骨铲
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699964244623265794.jpeg\")
畜牧业和农业的发展大大丰富了沈那先民的食物种类，烹煮加工食物以及由此而出现的加工工具在沈那也有出土，如陶甑、骨叉等，此外很多陶器底部也都有明显的火烧和烟熏的痕迹。
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699964461904990209.jpeg\")
沈那遗址出土陶甑，用以蒸煮食物
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699964487356026882.jpeg\")
沈那遗址出土陶豆，用以盛放食物
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699964511162896386.jpeg\")
沈那遗址出土单耳陶罐，陶罐表面烟炱痕迹明显
\n人类使用装饰品的历史最早可追溯至旧石器时代，考古发掘表明齐家文化时期装饰品的使用已较为普遍，包括颈饰、胸饰和手腕位置的腕饰，材质以骨质品居多，其他依次为石（玉、绿松石、萤石等）、贝（蚌）、牙、陶等，是齐家文化时期先民们审美意识的集中体现。此外，还出现了作为头饰的骨笄。
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699964544507613186.jpeg\")
沈那遗址出土用以佩戴的装饰品
\n沈那遗址出多件完整的动物肩胛骨，其上有排列有序的用火烧灼的痕迹，推测应为卜骨。卜骨是古代先民占卜用的兽骨，巫师先在选好的兽骨面上施行火灼，然后根据出现的灼痕裂纹形态判断吉凶祸福，这一习俗起源甚早，至迟在马家窑文化时期即已流行。这些卜骨的出土说明齐家文化时期的沈那先民已经开始了原始的宗教活动。
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699964574270394369.jpeg\")
沈那遗址出土卜骨
","createTime":"2023-09-08 09:55:22","createUser":7321,"exId":26,"id":537,"seriesId":37,"sortValue":10000,"status":0,"title":"第二单元 多姿生活——农牧兼蓄"},{"content":"同周边文化的互动交流贯穿于齐家文化之始终，齐家文化的东向发展打通了中原与西北地区的文化联系通道，相互的影响和交流从此渐成常态，反之齐家文化的西向发展也使河西走廊及其以西地区同中原地区的文化互动交流更为活跃，其中西方金属冶炼技术就是通过齐家文化向东传入中原。在华夏文明起源的黎明时分，齐家文化发挥了重要的作用。
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699965632736563202.jpeg\")
沈那遗址出土玉璧
\n齐家文化时期形成以璧、琮为主体的玉文化体系，玉器多平面素纹、朴实、雄浑大气，主要出土于墓葬中用以随葬。从玉器制作工艺和社会功用来看都与中原文化之间存在紧密的联系，这也正是齐家文化与中原文化之间交互往来的重要表现。
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699965654089764865.jpeg\")
沈那遗址出土玉琮
\n中国西北地区早期冶铜业的发达是与中亚地区保持文化互动为前提的，而中原地区冶金术的兴起则在一定程度上得益于西北地区青铜文的东进，河湟地区齐家文化是最早使用铜器的地区之一，显而易见在冶金术的东西文化交流方面起到独特而重要的作用。
\n（一）冶金术在河西走廊的兴起及其东传
\n2010年以来甘肃张掖西城驿遗址大量冶金遗迹遗物的发现，表明距今4000年前后，河西走廊地区已与西方发生了直接或间接的接触，至西城驿文化时期冶金术在质量上有了极大的提高，在地域范围上有了极大的扩展，而后发展较为成熟的冶金术由河西走廊沿丝绸之路“青海道”传入湟水流域，再由湟水流域传至洮河流域，以至于更东向的区域。西宁沈那遗址是这一金属冶炼传播路线上非常重要的一个节点。
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699965753918394370.jpeg\")
沈那遗址出土塞伊玛——图尔宾诺式阔叶倒钩铜矛
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699965776055930882.png\")
沈那铜矛出土现场
\n沈那遗址出土铜矛长61.5厘米，宽19.5厘米，刃呈蕉叶状，叶中部两面有高1.5厘米的脊梁；矛銎下部有三道凸弦纹；銎与刃部结合处有一刺钩，铜矛形制与来自阿尔泰山山脉的塞伊玛——图尔宾诺文化阔叶倒钩铜矛十分相像，表明两者之间存在直接或间接的联系。
\n迄今为止中国境内共出土17件塞伊玛-图尔宾诺式倒钩铜矛，其中沈那出土的这一件尺寸最大。公元前2000年开始，生活在欧亚草原的塞伊玛——图尔宾诺人开始了南下西域、天山北麓再到祁连山的南迁之路，南迁的过程即是东西文化交流的过程。这批銎柄根部有凸旋纹和倒钩，一侧有系耳，一侧有倒钩的铜矛是在塞伊玛——图尔宾诺文化影响下，由中国工匠铸造的仿制品或直接来自塞伊玛——图尔宾诺文化，沈那铜矛属于前者，可以被看作是早期中国与欧亚草原之间东西方文化交流的考古学证据。
","createTime":"2023-09-08 10:01:24","createUser":7321,"exId":26,"id":538,"seriesId":38,"sortValue":10000,"status":0,"title":"第三单元 交流互鉴"},{"content":"沈那遗址是西宁盆地距今4000年前的，一处具有一定人口规模的中心氏族聚落，先民们在这里以农业和畜牧业为主要生业方式，繁衍生息。塞伊玛图尔宾诺式圆銎阔叶倒钩铜矛的出土，更是具有划时代的历史意义，颠覆了我们过去对东西文化交流的传统认识，无可争辩地证明，早在4000年前居住在西宁盆地的沈那先民们，已经和欧亚草原青铜文明有了初步接触，开启了后世东西文明间往来交流的历史序幕，对研究西宁盆地乃至湟水流域人居历史、社会物质生产生活方式，都具有不可替代的重要价值。
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699974320717205506.JPG\")
晨曦微露——沈那聚落遗址出土文物展
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699974378342748162.JPG\")
晨曦微露——沈那聚落遗址出土文物展
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699974460827930625.JPG\")
晨曦微露——沈那聚落遗址出土文物展
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699974515857199106.JPG\")
晨曦微露——沈那聚落遗址出土文物展
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699974569615593473.JPG\")
晨曦微露——沈那聚落遗址出土文物展
","createTime":"2023-09-08 10:06:55","createUser":7321,"exId":26,"id":539,"seriesId":39,"sortValue":10000,"status":0,"title":"结束语","updateTime":"2023-09-08 10:35:12","updateUser":7321},{"content":"发迹中原的仰韶文化像一朵盛开的重层多瓣花朵，分布于西宁盆地，前后相沿的马家窑文化、齐家文化、卡约文化正是绚烂夺目的花之一瓣。且因西宁盆地地处湟水谷地中心和“丝绸之路青海道”节点的地理位置优势，兼收并蓄，从各方面吸收有利于自身发展的先进因素，从而在早期青海河湟文化形成发展的过程中起到了重要地凝聚作用，风采卓异。
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699970813863825409.png\")
![](\"https://pic.wentiyun.cn/xining/20230908/1699970935599304706.jpg\")
新石器时代马家窑文化马家窑类型涡纹彩陶盆
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699971025743286274.png\")
新石器时代马家窑文化马家窑类型红陶钵
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699971051894771714.png\")
青铜时代齐家文化双大耳陶罐
","createTime":"2023-09-08 10:21:40","createUser":7321,"exId":27,"id":540,"seriesId":40,"sortValue":10000,"status":0,"title":"第一单元 卓异风采"},{"content":"汉王朝实施“隔绝羌胡”之策的大背景下，于武帝元鼎六年（公元前111年）在今西宁地区设立具有军事和邮驿性质的西平亭、长宁亭，并于宣帝神爵元年（公元前61年）后沿湟水流域屯田设防、修缮乡亭、道桥，进行有组织有计划地开发建设，设置护羌校尉、金城属国，隔塞羌、胡（匈奴）交关之路，打通了中原地区通往河湟地区的交通线路，汉王朝势力得以沿此通道深入河湟地区，经营河湟。
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699971656952483841.png\")
汉铜洗
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699971721028866049.png\")
汉灰陶灶
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699971823353106434.png\")
汉铜镜
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699971891946754049.JPG\")
汉铜男俑
","createTime":"2023-09-08 10:24:33","createUser":7321,"exId":27,"id":541,"seriesId":41,"sortValue":10000,"status":0,"title":"第二单元 河湟初定"},{"content":"十六国时期的大混乱以及接踵而来的南北朝对峙阻碍了中西交通往来，公元439年北魏占据河西走廊后，河西走廊大道更是阻塞不通。丝绸之路青海道则因远离战乱，加之吐谷浑人的积极参与和经营，成为这一时期沟通中西最为重要的通道和西域与南朝政权往来的必经之路，繁荣一时。西宁由此成为商旅、使者以及僧侣东来西往的必经之地。
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699973421668143106.jpg\")
南北朝胡人牵驼模印砖
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699973507856896001.png\")
南北朝力士模印砖
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699973560805789698.png\")
南北朝仙人模印砖
","createTime":"2023-09-08 10:30:59","createUser":7321,"exId":27,"id":542,"seriesId":42,"sortValue":10000,"status":0,"title":"第三单元 通衢中西","updateTime":"2023-09-08 10:31:15","updateUser":7321},{"content":"公元六世纪当大唐王朝臻于鼎盛之际，吐蕃迅速崛起于青藏高原，统治了西到中亚，东到河陇的广阔地域。吐蕃的崛起一方面促进和加速了中原王朝与青藏高原地区的往来交流，兴起一条连接中原与西藏、尼泊尔、印度的道路，即唐蕃古道。另一方面由于吐蕃将西域乃至中亚部分区域纳入到统治范围内，客观上为中亚西域与青藏高原的往来交流提供了政治、军事保障，丝绸之路青海道因此也并未因吐蕃取代吐谷浑而中断，唐王朝和吐蕃交替统治下的西宁仍然是这条重要
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699975118515769345.png\")
唐银錾花粉盒
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699975136530305025.png\")
唐三彩胡人俑
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699975154888773634.png\")
唐金银直杯
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699975285021249537.png\")
唐豹斑玉把杯
","createTime":"2023-09-08 10:38:02","createUser":7321,"exId":27,"id":543,"seriesId":43,"sortValue":10000,"status":0,"title":"第四单元 唐蕃并峙"},{"content":"11世纪初西夏占领河西走廊后，西域通向中原的贸易路线再次改由丝绸之路“青海道”往来，西宁青唐政权因“丝绸之路青海道”的再度繁荣而坐享通衢之利，得以与西夏在河湟地区展开激烈争夺，成功抵挡了西夏的入侵，直至宋徽宗崇宁三年（1104年），宋军进兵河湟，改鄯州为西宁州，取西陲安宁之意，西宁之名由此沿用至今。
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699976129145901058.png\")
西夏褐釉剔花瓷罐
","createTime":"2023-09-08 10:41:15","createUser":7321,"exId":27,"id":544,"seriesId":44,"sortValue":10000,"status":0,"title":"第五单元 西陲安宁"},{"content":"13世纪初，蒙古军先后攻占金朝所属洮州、河州以及西夏所属的西宁州，西夏和金朝在青海势力由此被蒙古所取代，并由源于成吉思汗次子察合台后裔的诸王出伯一系世代出镇西宁州。明洪武六年（公元1373年）明朝改西宁州设西宁卫，筑西宁卫城，从此西宁成为“西夷重地”、“河西巨镇”。西宁地区呈现出多民族聚居、多种文化融合发展的格局。
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699976468469288961.png\")
元铜僧帽壶
","createTime":"2023-09-08 10:42:48","createUser":7321,"exId":27,"id":545,"seriesId":45,"sortValue":10000,"status":0,"title":"第六单元 融合发展"},{"content":"人类古代文明的发展与道路走廊的形成有着不可分割的联系，“丝绸之路青海道”作为河西走廊大道的重要辅线，把东方和西方联系在一起，促进了科学、宗教、文化价值观在区域和民族间进行交流，地处这一通道节点位置的西宁既是重要的交通枢纽也是商贸中心，发挥了重要的历史作用。随着“一带一路”倡议的不断深入和“丝绸之路”经济带的建设，西宁责无旁贷，必将再次担负起历史赋予的重任，续写丝路西宁新篇章。
\n展览现场
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699977332923731969.png\")
![](\"https://pic.wentiyun.cn/xining/20230908/1699977357875646466.png\")
![](\"https://pic.wentiyun.cn/xining/20230908/1699977392327659522.png\")
![](\"https://pic.wentiyun.cn/xining/20230908/1699977419959734273.png\")
![](\"https://pic.wentiyun.cn/xining/20230908/1699977440004313089.png\")
西汉，武帝击匈奴右部，通道河西走廊。元鼎五年（公元前112年）将军李息率军陇右讨羌。宣帝神爵二年(公元前60年)营平侯赵充国击西羌入河湟。设护羌校尉、建西平亭、屯田河湟，将河湟地区纳入西汉中央王朝势力范围，为西平郡城市初设奠定了基础。受中原文化的影响，西宁地区保留下来了大量汉魏晋墓葬群等遗迹遗物。
\n这一单元主要以图片、沙盘、模型和实物展示的方式，通过对西平亭、西平郡、青唐城、明清西宁卫城等各个时期不可移动文物的介绍，回顾历史时期西宁城市建设的发展历程。
","createTime":"2023-09-08 11:03:56","createUser":7321,"exId":29,"id":547,"seriesId":47,"sortValue":10000,"status":0,"title":"历史篇：城市初设"},{"content":"西宁解放后，百废待兴，古城发展从道路（桥梁）、商业设施和轻工业着手，保证了城市运转；1964年随着国家“三线建设”战略实施，一批国防工业入住西宁地区，奠定了西宁重工业发展的基础；1978年改革开放后，工业园区建设、旧城改造、城市绿地迅猛发展，公共设施、文化娱乐场所鳞次栉比，高原古城旧貌换新颜。
\n这一单元主要以图片、电子模型及现代实物的展示方式，展示和回顾国家“三线战略”的实施一以及改革开放对西宁城市建设乃至青海发展带来的重大影响，以及“三线战略”和改革开放战略实施下近年来西宁取得的发展成就。
","createTime":"2023-09-08 11:04:27","createUser":7321,"exId":29,"id":548,"seriesId":48,"sortValue":10000,"status":0,"title":"现代篇：古城新貌"},{"content":"《兰州—西宁城市群发展规划》着眼国家安全，立足西北内陆，面向中西亚，培育发展具有重大战略价值和鲜明地域特色新型城市群。注重统筹区域发展、重构区域格局，推动行政区经济向功能区经济转变；坚持以兰州、西宁两极带动，推动海东实现中部崛起，为新青海建设升级加力。
\n这一单元主要以电子沙盘和图片、模型等方式，通过对未来东部城市群建设规划的简要介绍，说明《兰州—西宁城市群发展规划》对未来西宁城市建设的重要性，以及由此带来的深远影响。
\n![](\"https://pic.wentiyun.cn/xining/20230908/1699982259553210369.jpg\")
![](\"https://pic.wentiyun.cn/xining/20230908/1699982296844767234.jpg\")
![](\"https://pic.wentiyun.cn/xining/20230908/1699982328356573185.jpg\")
![](\"https://pic.wentiyun.cn/xining/20230908/1699982365253865474.jpg\")
![](\"https://pic.wentiyun.cn/xining/20230908/1699982394303614978.jpg\")
城市——出现于新石器时代晚期。筑城固池，直观上反映了军事防卫，其实质是生产力提高、社会分工加剧、政治统治加强的必然产物。因此，城市不仅是建筑、人口聚集和物资交流的集散地，它还是社会进程的历史见证。
\n西宁城市的发展脉络，记录了西宁在稳定西部、建设中华“大家庭”中不可替代的历史性作用。宣传西宁——“高原古城”，对于坚定“文化自信”，续写新时代西宁新篇章，具有重要的现实意义和深远的历史意义。
","createTime":"2023-09-08 11:06:11","createUser":7321,"exId":29,"id":549,"seriesId":49,"sortValue":10000,"status":0,"title":"未来篇：东部城市群展望"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230908/1700044161222344706.png\")
唐琏 (1756-1836)
\n字汝器，号介亭，甘肃兰州人。通医术，精琴艺，能诗文，擅书画、篆刻。其书工楷、隶、行、草各体，尤精小楷、篆刻；画以山水、花鸟、人物见长，亦作指画。著有《证道录》《书画琐言》、《书品》、《画品》、《松石斋印谱》等 。
","createTime":"2023-09-08 15:12:35","createUser":7321,"exId":30,"id":550,"seriesId":50,"sortValue":10000,"status":0,"title":"唐琏行书四屏·清代","updateTime":"2023-09-08 15:13:31","updateUser":7321},{"content":"![](\"https://pic.wentiyun.cn/xining/20230908/1700045518310375426.png\")
朱克敏 (1792-1873)
\n字时轩，号游华山人、颐道人、艮道人、凤林山樵、重游青海太华山人等，甘肃皋兰(今兰州)人，道光八年(1828 )优贡。通经史，能诗文，工隶、篆、行、楷各体，书风飘扬洒脱，俱臻妙境。其楷书以苍劲胜，行草跌宕恣肆，自成一家。亦作画，以墨菊最为出名。曾任陕西兰天玉山书院、甘肃靖远乌兰书院山长、大同县训导等。著有《时轩诗义录》、《训蒙简要》等。
","createTime":"2023-09-08 15:17:32","createUser":7321,"exId":30,"id":551,"seriesId":50,"sortValue":10000,"status":0,"title":"朱克敏墨菊四屏 ·清代"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230908/1700045841540218882.png\")
马文炳 (1825-1898)
\n字虎臣， 回族，甘肃泉兰(今兰州)人，晚清著名书画家。擅长山水、花鸟、人物等，用笔兼工带写，不同凡俗。其画作墨气淋漓， 别生逸味，为士流名宦所称道，争相收藏。
","createTime":"2023-09-08 15:18:54","createUser":7321,"exId":30,"id":552,"seriesId":50,"sortValue":10000,"status":0,"title":"马文炳牡丹图轴 ·清代"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230908/1700046117043077121.jpg\")
温晓舟 （生卒不详）
\n又名筱舟，陇上知名画家温虚舟之子，号五泉山人、后五泉山人，职业画家。主要活动于清末民国初期，绘画体裁广泛，擅长指画，善画人物、家畜、山水。绘画风格与温虚舟有相近之处，但比虚舟更加挥洒自如，简洁、生动、形象。
","createTime":"2023-09-08 15:19:43","createUser":7321,"exId":30,"id":553,"seriesId":50,"sortValue":10000,"status":0,"title":"温晓舟山水四屏·清代"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230908/1700046337168539650.png\")
左宗棠 (1792-1873)
\n字季高、朴存，号上农人，湖南湘阴人。道光年举乡试，累官总督东阁大学士。同治至光绪年间，在兰州建成兰州机器局、兰州织呢局、甘肃贡院等。身为武将，却兼通文墨，擅书法，崇碑版，篆、隶、行、草皆善，笔力雄健，风格豪迈，楹联作品流传颇多。
","createTime":"2023-09-08 15:20:38","createUser":7321,"exId":30,"id":554,"seriesId":50,"sortValue":10000,"status":0,"title":"左宗棠作品·清代"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230908/1700047393067794433.jpg\")
高34cm，腹径18cm，口径5.5cm
","createTime":"2023-09-08 15:25:04","createUser":7321,"exId":30,"id":555,"seriesId":51,"sortValue":10000,"status":0,"title":"祭蓝釉瓷梅瓶·清代"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230908/1700047700824850433.jpg\")
高12cm，腹径12cm，口径3.7cm
","createTime":"2023-09-08 15:26:08","createUser":7321,"exId":30,"id":556,"seriesId":51,"sortValue":10000,"status":0,"title":"哥瓷天球瓶·清代"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230908/1700047991867604994.JPG\")
高18cm，口径3.5cm
","createTime":"2023-09-08 15:27:12","createUser":7321,"exId":30,"id":557,"seriesId":51,"sortValue":10000,"status":0,"title":"钧瓷瓶·宋代"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230908/1700048278829301762.JPG\")
高34cm，腹径18.5cm，口径5cm
","createTime":"2023-09-08 15:29:14","createUser":7321,"exId":30,"id":558,"seriesId":51,"sortValue":10000,"status":0,"title":"青花花鸟瓷梅瓶·明代"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230908/1700048729947668482.JPG\")
高61cm，腹径27cm，口径22cm
","createTime":"2023-09-08 15:30:11","createUser":7321,"exId":30,"id":559,"seriesId":51,"sortValue":10000,"status":0,"title":"吉祥富贵瓷瓶·清代"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230908/1700048985867321345.JPG\")
高56cm，口径16.5cm
","createTime":"2023-09-08 15:31:17","createUser":7321,"exId":30,"id":560,"seriesId":51,"sortValue":10000,"status":0,"title":"粉彩花鸟瓷方瓶·中华民国"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230908/1700049248145539074.JPG\")
高47cm，口径52.5cm
","createTime":"2023-09-08 15:32:39","createUser":7321,"exId":30,"id":561,"seriesId":51,"sortValue":10000,"status":0,"title":"青花瓷大缸·清代"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230908/1700049576559542274.JPG\")
高55.5cm，口径16cm
","createTime":"2023-09-08 15:33:24","createUser":7321,"exId":30,"id":562,"seriesId":51,"sortValue":10000,"status":0,"title":"青花山水方瓷瓶·清代"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230908/1700049770915201026.JPG\")
高61cm，腹径24cm，口径20cm
","createTime":"2023-09-08 15:34:15","createUser":7321,"exId":30,"id":563,"seriesId":51,"sortValue":10000,"status":0,"title":"青花喜字开光瓷瓶·中华民国"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230908/1700049969867816961.JPG\")
高12cm，口径24cm
","createTime":"2023-09-08 15:35:00","createUser":7321,"exId":30,"id":564,"seriesId":51,"sortValue":10000,"status":0,"title":"青花博古瓷碗·清代"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230908/1700050324424916994.JPG\")
明代
\n高32cm，宽61cm
\n（底部最长8.5cm，最宽7cm）
\n腋下宽13.5cm（最低松石位置）
","createTime":"2023-09-08 15:36:58","createUser":7321,"exId":30,"id":565,"seriesId":52,"sortValue":10000,"status":0,"title":"铜欢喜八臂佛","updateTime":"2023-09-08 15:37:44","updateUser":7321},{"content":"![](\"https://pic.wentiyun.cn/xining/20230908/1700050977096368129.JPG\")
铜烟灯（左图）：中华民国
\n铜瓶（中间图）：汉代
\n铜觚（右图）：汉代
","createTime":"2023-09-08 15:40:46","createUser":7321,"exId":30,"id":566,"seriesId":52,"sortValue":10000,"status":0,"title":"铜烟灯-铜瓶-铜觚"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230908/1700051612122382337.JPG\")
汉代
","createTime":"2023-09-08 15:41:25","createUser":7321,"exId":30,"id":567,"seriesId":52,"sortValue":10000,"status":0,"title":"博山炉"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230908/1700051772537733121.JPG\")
汉代
","createTime":"2023-09-08 15:42:04","createUser":7321,"exId":30,"id":568,"seriesId":52,"sortValue":10000,"status":0,"title":"席镇"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230908/1700052201598255106.JPG\")
中华民国
","createTime":"2023-09-08 15:44:17","createUser":7321,"exId":30,"id":569,"seriesId":53,"sortValue":10000,"status":0,"title":"木首饰盒"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230908/1700052528280010754.JPG\")
中华民国
","createTime":"2023-09-08 15:45:03","createUser":7321,"exId":30,"id":570,"seriesId":53,"sortValue":10000,"status":0,"title":"螺细漆盒"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230908/1700052675751739394.JPG\")
中华民国
","createTime":"2023-09-08 15:45:36","createUser":7321,"exId":30,"id":571,"seriesId":53,"sortValue":10000,"status":0,"title":"人物故事木雕"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230908/1700052823655481345.JPG\")
中华民国
","createTime":"2023-09-08 15:46:11","createUser":7321,"exId":30,"id":572,"seriesId":53,"sortValue":10000,"status":0,"title":"人物故事木雕"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230908/1700053310647730177.JPG\")
清代
","createTime":"2023-09-08 15:48:12","createUser":7321,"exId":30,"id":573,"seriesId":54,"sortValue":10000,"status":0,"title":"玉带板"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230908/1700053496275042306.JPG\")
清代
","createTime":"2023-09-08 15:48:55","createUser":7321,"exId":30,"id":574,"seriesId":54,"sortValue":10000,"status":0,"title":"玉镶件"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230908/1700054274150662145.JPG\")
![](\"https://pic.wentiyun.cn/xining/20230908/1700054331377745921.JPG\")
![](\"https://pic.wentiyun.cn/xining/20230908/1700054397161209858.JPG\")
![](\"https://pic.wentiyun.cn/xining/20230908/1700054474579673089.JPG\")
爰自孙吴东晋，接续宋齐梁陈，三百余载，四十人君，奠都金陵胜地，雄踞半壁江山，是谓六朝。
\n经历六朝之开发，地旷人稀、饭稻羹鱼的南方经济，乃成良畴美柘、畦畎相望的富沃之域，其鱼盐杞梓之利，充仞八方，丝绵布帛之饶，覆衣天下。
\n经历六朝之化育，尚武好勇、轻死易发之南方社会，乃成益多衣冠之绪、崇尚礼义经籍、儒玄佛道斯之为盛、闾阎百姓吟咏不辍的文明之邦。
\n论六朝之武略，则周瑜扬威于赤壁，陆逊制敌于夷陵，淝水之战堪称传奇，北府兵将气吞万里，旋师称量沙之谋，御寇有长城之将。
\n述六朝之文事，若四声、八病，始发明于江左，文选、文心，均载誉于千年，至于书尊逸少，画赞虎头，咸称绝作，传颂艺苑。
\n六朝科技，亦是超迈前代，极富创造，诸如赵爽勾股，冲之割圆，承天历法，抱补医方，钢经百炼，船名千里，精思巧艺，层出不穷。
\n六朝京都，尤其金粉豪华，寰宇共仰。当其全盛之时，“城郭庄严，清净无秽，四衢交通，广博平坦，台殿罗列，状若众山，庄严微妙，犹如天宫”，而“城中二十八万余户”，人口更是远超百万。如此的六朝建康城，领导南方中国，步入了经济发展、社会繁荣、文化丰富的腾飞期；如此的东方大都会，仿佛东方太阳，照亮了周边的部族、周边的国家。
\n西哲有云：“光荣属于希腊，伟大属于罗马”；我们回望六朝，感悟历史，也可以说：“伟大属于罗马，光荣属于南京！”罗马的伟大，在于军事的征服；南京的光荣，则在文化的传承，在于六朝时代华夏传统文化的薪火相传、发扬光大！
\n![](\"https://pic.wentiyun.cn/xining/20230908/1700061648487874561.png\")
插图： 《女史箴图》局部对镜梳妆
","createTime":"2023-09-08 16:03:44","createUser":7321,"exId":31,"id":576,"seriesId":56,"sortValue":10000,"status":0,"title":"前言","updateTime":"2023-09-08 16:21:49","updateUser":7321},{"content":"![](\"https://pic.wentiyun.cn/xining/20230908/1700063065202130945.png\")
![](\"https://pic.wentiyun.cn/xining/20230908/1700063142209552386.png\")
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![](\"https://pic.wentiyun.cn/xining/20230909/1700326145731461122.jpg\")
让文物说话
\n![](\"https://pic.wentiyun.cn/xining/20230909/1700326221124075521.jpg\")
让文物活起来
","createTime":"2023-09-09 09:52:47","createUser":7321,"exId":32,"id":582,"seriesId":61,"sortValue":10000,"status":0,"title":"河湟楹联篆刻艺术","updateTime":"2023-09-09 09:53:16","updateUser":7321},{"content":"![](\"https://pic.wentiyun.cn/xining/20230909/1700326805591949313.jpg\")
![](\"https://pic.wentiyun.cn/xining/20230909/1700326835010797569.jpg\")
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![](\"https://pic.wentiyun.cn/xining/20230909/1700326918238371842.jpg\")
《周礼·春官·大宗伯》载：“以玉作六器，以礼天地四方”、“以玉作六瑞，以等邦国”，从形制、玉材到祭祀、使用对象都做了非常严格的规定。之后随历史发展，典章用玉不断变化，至明清时期，主要表现在祭祀和朝廷冠服的用玉规范。
\n![](\"https://pic.wentiyun.cn/xining/20230909/1700332981062860801.png\")
清·九螭纹玉璧
\n明清生活用玉极为广泛，包括装饰、实用器皿、陈设、文房等多个方面，千文万华，琳琅满目。尤其皇室贵族推崇金玉结合工艺，更凸显富丽堂皇之美。另外，受元明以来文人画风影响，表现自然景物、流露文人思想及情趣内容的玉雕作品大受青睐，为明清玉雕注入新的生机，增加了高雅之美。
\n![](\"https://pic.wentiyun.cn/xining/20230909/1700333617821122562.jpg\")
清·玉观潮山子
\n![](\"https://pic.wentiyun.cn/xining/20230909/1700333705385607169.jpg\")
清·玉船
\n![](\"https://pic.wentiyun.cn/xining/20230909/1700333781734522881.jpg\")
明·马猴纹玉带扣
\n仿古玉是两宋时期伴随着金石学的兴起而产生的，主要是模仿商周青铜礼器的造型和纹饰。明清时期，在慕古思潮影响下，仿古玉器得到很大的发展，尤其乾隆皇帝更极力崇尚，将师古之为推至巅峰，逐渐成为玉器种类的主流之一。但明清仿古玉器常附加繁缛的纹饰，使作痕明显，风貌融旧会新。
\n![](\"https://pic.wentiyun.cn/xining/20230909/1700334369742389250.jpg\")
明·螭耳玉杯
\n![](\"https://pic.wentiyun.cn/xining/20230909/1700334418895437825.jpg\")
明·龙纹直线纹兽耳玉簋
\n![](\"https://pic.wentiyun.cn/xining/20230909/1700334493717626881.jpg\")
清·龙纹兽形玉匜
\n![](\"https://pic.wentiyun.cn/xining/20230909/1700335139535585281.png\")
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![](\"https://pic.wentiyun.cn/xining/20230909/1700409163548590081.png\")
《黄河出青海》中国画
","createTime":"2023-09-09 15:43:29","createUser":4069,"exId":33,"id":645,"seriesId":74,"sortValue":10000,"status":0,"title":"李忠盛"},{"content":"《撒拉族》中国画
\n《塔吉克族》中国画
\n《塔塔尔族》中国画
\n《新玉树》中国画
","createTime":"2023-09-09 15:44:06","createUser":4069,"exId":33,"id":646,"seriesId":74,"sortValue":10000,"status":0,"title":"张权"},{"content":"《千姿湖印象》中国画
\n《喜乐祥瑞》 中国画
\n《一路向阳》中国画
\n《尕让山野图》中国画
","createTime":"2023-09-09 15:44:38","createUser":4069,"exId":33,"id":647,"seriesId":74,"sortValue":10000,"status":0,"title":"冯秀梅"},{"content":"《山里数九》油画
\n《正月十五出炎官》油画
\n《秋离蒙古道》油画
\n《山里人家秋烟气》油画
","createTime":"2023-09-09 15:45:10","createUser":4069,"exId":33,"id":648,"seriesId":74,"sortValue":10000,"status":0,"title":"曹正海"},{"content":"《草原之子》油画
","createTime":"2023-09-09 15:45:54","createUser":4069,"exId":33,"id":649,"seriesId":74,"sortValue":10000,"status":0,"title":"赵强"},{"content":"《春到青海湖》中国画
\n《故山似画屏》中国画
\n《观云》中国画
\n《三江源》中国画
\n《晚春绿野秀》中国画
\n《游云》中国画
","createTime":"2023-09-09 15:46:49","createUser":4069,"exId":33,"id":650,"seriesId":74,"sortValue":10000,"status":0,"title":"张海红"},{"content":"《河湟陶韵》综合材料
\n《细沟秋阳》综合材料
\n《寂静藏寨》综合材料
\n《秋山家园》综合材料
\n《龙羊谷深》综合材料
","createTime":"2023-09-09 15:47:35","createUser":4069,"exId":33,"id":651,"seriesId":74,"sortValue":10000,"status":0,"title":"侯志光"},{"content":"《古道寻踪》中国画
\n《天朗气清图》中国画
","createTime":"2023-09-09 15:48:00","createUser":4069,"exId":33,"id":652,"seriesId":74,"sortValue":10000,"status":0,"title":"乔文良"},{"content":"《独白系列1》水彩
\n《独白系列3》水彩
\n《独白系列3》水彩
\n《独白系列5》水彩
","createTime":"2023-09-09 15:48:36","createUser":4069,"exId":33,"id":653,"seriesId":74,"sortValue":10000,"status":0,"title":"金长征"},{"content":"《阿尔金山腹地》水彩
\n《阿尔金山腹地2》水彩
\n《窑庄秋色》水彩
","createTime":"2023-09-09 15:49:04","createUser":4069,"exId":33,"id":654,"seriesId":74,"sortValue":10000,"status":0,"title":"刘建鹿"},{"content":"《河北丹霞》
\n《拉加寺》
\n《黄河丹霞1》
\n《黄河丹霞2》
\n《群加风景1》
\n《群加风景2》
\n《民和黄河》
\n《贵德黄河》
","createTime":"2023-09-09 15:51:06","createUser":4069,"exId":34,"id":655,"seriesId":75,"sortValue":10000,"status":0,"title":"王文龙"},{"content":"《杨林七友图》
\n《菜的花》
\n《午后庄廓》
\n《秋韵》
\n《有小雨的夜》
\n《山野》
\n","createTime":"2023-09-09 15:51:52","createUser":4069,"exId":34,"id":656,"seriesId":75,"sortValue":10000,"status":0,"title":"韵文江"},{"content":"
《诗经——周颂 烈文》
","createTime":"2023-09-09 15:52:19","createUser":4069,"exId":34,"id":657,"seriesId":75,"sortValue":10000,"status":0,"title":"胡晋峰"},{"content":"《波澜青海湖》
\n《刚察花海》
\n《夏日刚察》
\n《静静的山野》
\n《泉吉草原》
","createTime":"2023-09-09 15:53:09","createUser":4069,"exId":34,"id":658,"seriesId":75,"sortValue":10000,"status":0,"title":"刘忱"},{"content":"《玉洁》
\n《清风》
\n《生命 自然》之五
\n《生命 自然》之六
\n《山啸》
\n","createTime":"2023-09-09 15:53:57","createUser":4069,"exId":34,"id":659,"seriesId":75,"sortValue":10000,"status":0,"title":"张允海"},{"content":"
《湟水情》
","createTime":"2023-09-09 15:54:18","createUser":4069,"exId":34,"id":660,"seriesId":75,"sortValue":10000,"status":0,"title":"李天才"},{"content":"《雁门紫塞》
\n《荷塘清趣》
","createTime":"2023-09-09 15:54:43","createUser":4069,"exId":34,"id":661,"seriesId":75,"sortValue":10000,"status":0,"title":"张元吉"},{"content":"《烤焜锅》
\n《牧》
\n《风景》
\n《瞰》
\n《羊儿与少年》
\n《犟》
","createTime":"2023-09-09 15:55:50","createUser":4069,"exId":34,"id":662,"seriesId":75,"sortValue":10000,"status":0,"title":"李连凤"},{"content":"《风和日丽》
","createTime":"2023-09-09 15:56:12","createUser":4069,"exId":34,"id":663,"seriesId":75,"sortValue":10000,"status":0,"title":"刘晨曦"},{"content":"《青山绿水》
\n《晨》
\n《初春》
\n《春色》
\n《蓝色记忆》
","createTime":"2023-09-09 15:58:20","createUser":4069,"exId":35,"id":664,"seriesId":76,"sortValue":10000,"status":0,"title":"张岩春"},{"content":"《山村晨曦》
\n《庭院梨花香》
\n《志愿者》
","createTime":"2023-09-09 16:00:07","createUser":4069,"exId":35,"id":665,"seriesId":76,"sortValue":10000,"status":0,"title":"孙晋青"},{"content":"《古道烽燧云烟起》
\n《高原冰河不知春》
\n《古道回望忆烽燧》
","createTime":"2023-09-09 16:01:27","createUser":4069,"exId":35,"id":666,"seriesId":76,"sortValue":10000,"status":0,"title":"韩小强"},{"content":"《核桃树》
\n《智合寺》
\n《措州水库风光》
\n《措州山村》
","createTime":"2023-09-09 16:01:55","createUser":4069,"exId":35,"id":667,"seriesId":76,"sortValue":10000,"status":0,"title":"李宝宗"},{"content":"《暖阳》
\n《乐都 老爷山景》
\n《富贵临风》
\n《紫霞灿烂》
","createTime":"2023-09-09 16:02:44","createUser":4069,"exId":35,"id":668,"seriesId":76,"sortValue":10000,"status":0,"title":"刘维东"},{"content":"《欢乐吉祥》
\n《盛世歌舞》
\n《彩船飞舞》
\n《祥和的老羊歌》
","createTime":"2023-09-09 16:03:27","createUser":4069,"exId":35,"id":669,"seriesId":76,"sortValue":10000,"status":0,"title":"史家星"},{"content":"《书记扶贫情满怀》
\n《歌舞欢喜庆丰收》
\n《脱贫致富奔小康》
","createTime":"2023-09-09 16:03:57","createUser":4069,"exId":35,"id":670,"seriesId":76,"sortValue":10000,"status":0,"title":"张斌"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230914/1702230529394499586.jpg\")
![](\"https://pic.wentiyun.cn/xining/20230914/1702230577884848129.jpg\")
![](\"https://pic.wentiyun.cn/xining/20230914/1702230619907579905.jpg\")
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![](\"https://pic.wentiyun.cn/xining/20230914/1702230731970994177.jpg\")
![](\"https://pic.wentiyun.cn/xining/20230914/1702231099777900545.jpg\")
![](\"https://pic.wentiyun.cn/xining/20230914/1702231141020491777.jpg\")
![](\"https://pic.wentiyun.cn/xining/20230914/1702231183475236865.jpg\")
![](\"https://pic.wentiyun.cn/xining/20230914/1702231291138826242.jpg\")
![](\"https://pic.wentiyun.cn/xining/20230914/1702231328686235649.jpg\")
![](\"https://pic.wentiyun.cn/xining/20230914/1702231365298315266.jpg\")
![](\"https://pic.wentiyun.cn/xining/20230914/1702231451944247298.jpg\")
![](\"https://pic.wentiyun.cn/xining/20230914/1702231487360950274.jpg\")
![](\"https://pic.wentiyun.cn/xining/20230914/1702231603924852737.jpg\")
![](\"https://pic.wentiyun.cn/xining/20230914/1702231635830923265.jpg\")
![](\"https://pic.wentiyun.cn/xining/20230914/1702231678860288002.jpg\")
![](\"https://pic.wentiyun.cn/xining/20230914/1702231753686671362.jpg\")
![](\"https://pic.wentiyun.cn/xining/20230914/1702231822435508226.jpg\")
![](\"https://pic.wentiyun.cn/xining/20230914/1702231857218871297.jpg\")
![](\"https://pic.wentiyun.cn/xining/20230914/1702231904165715969.jpg\")
![](\"https://pic.wentiyun.cn/xining/20230914/1702231940761018370.jpg\")
![](\"https://pic.wentiyun.cn/xining/20230914/1702231974386753537.jpg\")
![](\"https://pic.wentiyun.cn/xining/20230914/1702232055525564417.jpg\")
![](\"https://pic.wentiyun.cn/xining/20230914/1702232089281323010.jpg\")
![](\"https://pic.wentiyun.cn/xining/20230914/1702232508795609090.jpg\")
![](\"https://pic.wentiyun.cn/xining/20230914/1702235309907009538.jpg\")
《阿朵阿嘉》
\n![](\"https://pic.wentiyun.cn/xining/20230914/1702235354639261697.jpg\")
《苏鲁布姆》
\n![](\"https://pic.wentiyun.cn/xining/20230914/1702235376688717826.jpg\")
《玉树——扎西卡》
\n![](\"https://pic.wentiyun.cn/xining/20230914/1702235396615856130.jpg\")
《玉树——暖阳卓木齐》
\n![](\"https://pic.wentiyun.cn/xining/20230914/1702235416647852033.jpg\")
《切顶尕宝》
","createTime":"2023-09-14 16:18:53","createUser":4069,"exId":37,"id":680,"seriesId":80,"sortValue":10000,"status":0,"title":"张洪春"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230914/1702235585900601346.jpg\")
《祁连烟云图》
\n![](\"https://pic.wentiyun.cn/xining/20230914/1702235614795161601.jpg\")
《电力天路》
\n![](\"https://pic.wentiyun.cn/xining/20230914/1702235642913775618.jpg\")
《牛心山》
","createTime":"2023-09-14 16:19:52","createUser":4069,"exId":37,"id":681,"seriesId":80,"sortValue":10000,"status":0,"title":"张建青"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230914/1702235821167501313.jpg\")
《一溪雲》
","createTime":"2023-09-14 16:20:25","createUser":4069,"exId":37,"id":682,"seriesId":80,"sortValue":10000,"status":0,"title":"袁宗福"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230914/1702236003972046849.jpg\")
《秋趣》
\n![](\"https://pic.wentiyun.cn/xining/20230914/1702236062381924353.jpg\")
《潇潇雨夜》
\n![](\"https://pic.wentiyun.cn/xining/20230914/1702236097588912129.jpg\")
《浓春图》
\n![](\"https://pic.wentiyun.cn/xining/20230914/1702236123992055810.jpg\")
《秋酣》
","createTime":"2023-09-14 16:21:46","createUser":4069,"exId":37,"id":683,"seriesId":80,"sortValue":10000,"status":0,"title":"李积霖"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230914/1702236433934344194.jpg\")
《翠山幽居图》
\n![](\"https://pic.wentiyun.cn/xining/20230914/1702236476175179778.jpg\")
《溪山幽居》
\n![](\"https://pic.wentiyun.cn/xining/20230914/1702236517623291906.jpg\")
《山居图》
\n![](\"https://pic.wentiyun.cn/xining/20230914/1702236548745027585.jpg\")
《翠峦新居》
\n![](\"https://pic.wentiyun.cn/xining/20230914/1702236602599890945.jpg\")
《青山暮色》
\n![](\"https://pic.wentiyun.cn/xining/20230914/1702236625555316738.jpg\")
《泼彩山水画》
","createTime":"2023-09-14 16:23:35","createUser":4069,"exId":37,"id":684,"seriesId":80,"sortValue":10000,"status":0,"title":"蒲文寿"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230914/1702236781994467330.jpg\")
《昆仑系列之一》
\n![](\"https://pic.wentiyun.cn/xining/20230914/1702236806925410306.jpg\")
《昆仑系列之二》
\n![](\"https://pic.wentiyun.cn/xining/20230914/1702236828333137921.jpg\")
《昆仑系列之三》
","createTime":"2023-09-14 16:24:25","createUser":4069,"exId":37,"id":685,"seriesId":80,"sortValue":10000,"status":0,"title":"郭子源"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230914/1702236998890315778.jpg\")
《写生四季 春》
\n![](\"https://pic.wentiyun.cn/xining/20230914/1702237024597204993.jpg\")
《写生四季 秋》
\n![](\"https://pic.wentiyun.cn/xining/20230914/1702237049784000514.jpg\")
《写生四季 冬》
\n![](\"https://pic.wentiyun.cn/xining/20230914/1702237073309851649.jpg\")
《写生四季 夏》
","createTime":"2023-09-14 16:25:28","createUser":4069,"exId":37,"id":686,"seriesId":80,"sortValue":10000,"status":0,"title":"张爱民"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230914/1702237266130395137.jpg\")
《迷彩军魂》
\n![](\"https://pic.wentiyun.cn/xining/20230914/1702237293091381250.jpg\")
《搏克手》
\n![](\"https://pic.wentiyun.cn/xining/20230914/1702237320064950274.jpg\")
《牛背上的勇士》
\n![](\"https://pic.wentiyun.cn/xining/20230914/1702237343083290626.jpg\")
《塞上雪月》
\n![](\"https://pic.wentiyun.cn/xining/20230914/1702237364881088514.jpg\")
《牦牛叨羊》
","createTime":"2023-09-14 16:26:32","createUser":4069,"exId":37,"id":687,"seriesId":80,"sortValue":10000,"status":0,"title":"朱锦明"},{"content":"![](\"https://pic.wentiyun.cn/xining/20230908/1700039622343688193.JPG\")
![](\"https://pic.wentiyun.cn/xining/20230908/1700039745152909314.JPG\")
![](\"https://pic.wentiyun.cn/xining/20230908/1700039819157209090.JPG\")
![](\"https://pic.wentiyun.cn/xining/20230908/1700039879035092994.JPG\")
![](\"https://pic.wentiyun.cn/xining/20230908/1700040007087194114.JPG\")
![](\"https://pic.wentiyun.cn/xining/20230908/1700034382559084545.JPG\")
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![](\"https://pic.wentiyun.cn/xining/20230908/1700034530202779649.JPG\")
![](\"https://pic.wentiyun.cn/xining/20230908/1700034620892020737.JPG\")
![](\"https://pic.wentiyun.cn/xining/20230908/1700034687807946753.jpg\")
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![](\"https://pic.wentiyun.cn/xining/20230908/1700034833006362625.jpg\")
![](\"https://pic.wentiyun.cn/xining/20231010/1711636834186076162.jpg\")
黄沛沛 180cm×97cm 纸本水墨
","createTime":"2023-10-10 14:57:49","createUser":4069,"exId":38,"id":690,"seriesId":83,"sortValue":10000,"status":0,"title":"《高原独行》","updateTime":"2023-10-10 15:04:37","updateUser":4069},{"content":"![](\"https://pic.wentiyun.cn/xining/20231010/1711637509942976513.jpg\")
秦川 150cm×100cm 布面油画
","createTime":"2023-10-10 14:59:52","createUser":4069,"exId":38,"id":691,"seriesId":83,"sortValue":10000,"status":0,"title":"《社火》 ","updateTime":"2023-10-10 15:03:51","updateUser":4069},{"content":"![](\"https://pic.wentiyun.cn/xining/20231010/1711637770195345409.jpg\")
张克元 108cm×90cm 布面油彩
","createTime":"2023-10-10 15:00:55","createUser":4069,"exId":38,"id":692,"seriesId":83,"sortValue":10000,"status":0,"title":"《渔火》","updateTime":"2023-10-10 15:04:00","updateUser":4069},{"content":"![](\"https://pic.wentiyun.cn/xining/20231010/1711638482979561473.jpg\")
朱文娟 80cm×80cm 布面油画
","createTime":"2023-10-10 15:03:35","createUser":4069,"exId":38,"id":693,"seriesId":83,"sortValue":10000,"status":0,"title":"《行走的高原人》"},{"content":"![](\"https://pic.wentiyun.cn/xining/20231010/1711639171680083970.jpg\")
王龙平 180cmX97cm 纸本水墨
","createTime":"2023-10-10 15:06:13","createUser":4069,"exId":38,"id":694,"seriesId":83,"sortValue":10000,"status":0,"title":"《锡崖沟山谷风光》"},{"content":"![](\"https://pic.wentiyun.cn/xining/20231010/1711639346645475330.jpg\")
张修安 244cmx100cm 纸本水墨
","createTime":"2023-10-10 15:06:49","createUser":4069,"exId":38,"id":695,"seriesId":83,"sortValue":10000,"status":0,"title":"《双寿图》"},{"content":"![](\"https://pic.wentiyun.cn/xining/20231010/1711639499666268162.jpg\")
谢桂贞 180cm×98cm 纸本水墨
","createTime":"2023-10-10 15:07:26","createUser":4069,"exId":38,"id":696,"seriesId":83,"sortValue":10000,"status":0,"title":"《憨》"},{"content":"![](\"https://pic.wentiyun.cn/xining/20231010/1711639657351127041.jpg\")
郭子源 180cm×97cm 纸本重彩
","createTime":"2023-10-10 15:08:09","createUser":4069,"exId":38,"id":697,"seriesId":83,"sortValue":10000,"status":0,"title":"《高原祥云山水间》 "},{"content":"![](\"https://pic.wentiyun.cn/xining/20231010/1711639822027890689.jpg\")
张爱民 120cm×80cm 布面油画
","createTime":"2023-10-10 15:08:49","createUser":4069,"exId":38,"id":698,"seriesId":83,"sortValue":10000,"status":0,"title":"《山的时空》 "},{"content":"![](\"https://pic.wentiyun.cn/xining/20231010/1711639986058731521.jpg\")
张洪春 77cm×102cm 版画
","createTime":"2023-10-10 15:09:21","createUser":4069,"exId":38,"id":699,"seriesId":83,"sortValue":10000,"status":0,"title":"《扎西隆宝》"},{"content":"![](\"https://pic.wentiyun.cn/xining/20231010/1711641534285389825.jpg\")
现为中国美术家协会会员，青海省美术家协会副秘书长, 西宁画院院长。
","createTime":"2023-10-10 15:16:00","createUser":4069,"exId":38,"id":700,"seriesId":84,"sortValue":10000,"status":0,"title":"黄沛沛 ","updateTime":"2023-10-10 15:23:28","updateUser":4069},{"content":"![](\"https://pic.wentiyun.cn/xining/20231010/1711641911802109954.jpg\")
现为西宁画院专业画家。中国美术家协会会员，青海省美术家协会理事，青海画院副院长。
","createTime":"2023-10-10 15:17:01","createUser":4069,"exId":38,"id":701,"seriesId":84,"sortValue":10000,"status":0,"title":"秦川","updateTime":"2023-10-10 15:23:56","updateUser":4069},{"content":"![](\"https://pic.wentiyun.cn/xining/20231010/1711642212399489025.jpg\")
现为西宁画院专业画家，三级美术师。青海省美术家协会会员，西宁市美术家协会理事。
","createTime":"2023-10-10 15:18:13","createUser":4069,"exId":38,"id":702,"seriesId":84,"sortValue":10000,"status":0,"title":"张克元","updateTime":"2023-10-10 15:22:12","updateUser":4069},{"content":"![](\"https://pic.wentiyun.cn/xining/20231010/1711642324311908354.jpg\")
现为西宁画院专业画家，三级美术师。青海省美术家协会会员，西宁市美术家协会理事。
","createTime":"2023-10-10 15:18:39","createUser":4069,"exId":38,"id":703,"seriesId":84,"sortValue":10000,"status":0,"title":"朱文娟","updateTime":"2023-10-10 15:25:18","updateUser":4069},{"content":"![](\"https://pic.wentiyun.cn/xining/20231010/1711642443514028034.jpg\")
生于山西，毕业于西安美术学院国画系山水专业学术型硕士研究生，省级优秀毕业生，陕西省美术家协会会员，山西省书法家协会会员，西宁画院专业画家，西宁画院党支部书记。
","createTime":"2023-10-10 15:19:09","createUser":4069,"exId":38,"id":704,"seriesId":84,"sortValue":10000,"status":0,"title":"王龙平","updateTime":"2023-10-10 15:20:23","updateUser":4069},{"content":"![](\"https://pic.wentiyun.cn/xining/20231010/1711644241842839554.jpg\")
2008年7月毕业于中国美术学院国画系花鸟专业，获学士学位。2020年7月毕业于西安美术学院国画系花鸟画专业，获硕士学位。现为西宁画院专业画家。陕西国画院院聘画家，陕西省美术家协会员，西安市青年美术家协会副秘书长，西安市美术家协会会员，陕西省青年美术家协会理事。
","createTime":"2023-10-10 15:26:27","createUser":4069,"exId":38,"id":705,"seriesId":84,"sortValue":10000,"status":0,"title":"张修安","updateTime":"2023-10-10 15:26:56","updateUser":4069},{"content":"![](\"https://pic.wentiyun.cn/xining/20231010/1711644651936718849.jpg\")
西宁画院专业画家。2017年毕业于济南大学，获美术学专业（中国画方向）学士学位；2020年毕业于河南师范大学，获美术专业（中国画方向）艺术硕士学位。青海省美术家协会会员，青海省书法家协会会员。
","createTime":"2023-10-10 15:28:00","createUser":4069,"exId":38,"id":706,"seriesId":84,"sortValue":10000,"status":0,"title":"谢桂贞"},{"content":"![](\"https://pic.wentiyun.cn/xining/20231010/1711644887975370753.jpg\")
中国美术家协会会员，青海省美术家协会理事，西宁画院特聘画家。
","createTime":"2023-10-10 15:28:47","createUser":4069,"exId":38,"id":707,"seriesId":84,"sortValue":10000,"status":0,"title":"郭子源（郭守昇）"},{"content":"![](\"https://pic.wentiyun.cn/xining/20231010/1711645002999963650.jpg\")
现为中国美术家协会会员，青海省美术家协会理事，青海画院特聘画家，西宁市美术家协会理事，西宁画院特聘画家。
","createTime":"2023-10-10 15:29:31","createUser":4069,"exId":38,"id":708,"seriesId":84,"sortValue":10000,"status":0,"title":"张爱民"},{"content":"![](\"https://pic.wentiyun.cn/xining/20231010/1711645489254014977.jpg\")
现为中国美术家协会会员、中国版画家协会会员、中国少数民族美术促进会会员、青海省美术家协会理事，西宁画院特聘画家，玉树州画院院长。青海省政府第6、7、8届文学艺术奖获得者。
","createTime":"2023-10-10 15:31:22","createUser":4069,"exId":38,"id":709,"seriesId":84,"sortValue":10000,"status":0,"title":"张洪春（阿太）"},{"content":"岩画是一种石刻文化，人类祖先以石器作为工具,用粗犷、古朴、自然的方法进行凿刻，以描绘、记录他们的生产方式和生活内容。人类通过文化生产与文化消费改变和丰富自身的精神世界，创造了灿烂多姿的岩画图像。岩画是人类先民们给后人的珍贵的文化遗产。
","createTime":"2023-11-17 10:00:23","createUser":7321,"exId":39,"id":710,"seriesId":85,"sortValue":10000,"status":0,"title":"岩画是文字和历史","updateTime":"2023-11-17 10:23:57","updateUser":7321},{"content":"![](\"https://pic.wentiyun.cn/xining/20231117/1725338889723482113.jpg\")
![](\"https://pic.wentiyun.cn/xining/20231117/1725339212240293890.jpg\")
岩画中的各种图像，构成了文字发明以前，原始人类最早的“文献”。岩画不仅涉及原始人类的经济、社会和生活，同时，岩画还作为人类的精神产品，以其独特的艺术语言打动人心。
","createTime":"2023-11-17 10:25:54","createUser":7321,"exId":39,"id":713,"seriesId":86,"sortValue":10000,"status":0,"title":"无声的语言","updateTime":"2023-11-17 10:29:34","updateUser":7321},{"content":"![](\"https://pic.wentiyun.cn/xining/20231117/1725339651350368257.jpg\")
![](\"https://pic.wentiyun.cn/xining/20231117/1725340009925611522.jpg\")
![](\"https://pic.wentiyun.cn/xining/20231117/1725340114648993793.jpg\")
![](\"https://pic.wentiyun.cn/xining/20231117/1725340207116619777.jpg\")
岩画在塑造平面图形时，很善于抓住物象的基本形，物体的结构简化到不能再简的程度。没有细节刻画，大都不画五官，这些粗制的图形中，却能描绘出生活的真实，显示出活跃的生命力，其中以动物形象尤为生动。这种原始形态的艺术的特征在于对生活敏锐的观察力，和艺术上粗犷手法浑然一体地结合在一起，使得许多岩画至今仍有其生命力。
\n岩石自从远古时代起，作为劳动工具和日常用品不断地被人类使用，同时也是世界上最早的绘画材料，古人在岩石上磨刻和涂画，来描绘人类的生活，以及他们的想象和愿望，这就是岩画。
\n贺兰山在古代是北方各民族驻牧游猎、生息繁衍的地方。他们把生产生活的场景，凿刻在贺兰山的岩石上，来表现对美好生活的向往与追求，再现了他们当时的审美观、社会习俗和生活情趣。
","createTime":"2023-11-17 10:32:17","createUser":7321,"exId":39,"id":718,"seriesId":87,"sortValue":10000,"status":0,"title":"远古足迹","updateTime":"2023-11-17 10:37:50","updateUser":7321},{"content":"![](\"https://pic.wentiyun.cn/xining/20231117/1725341380326363137.jpg\")
![](\"https://pic.wentiyun.cn/xining/20231117/1725341454162890754.jpg\")
![](\"https://pic.wentiyun.cn/xining/20231117/1725341665211879425.jpg\")
![](\"https://pic.wentiyun.cn/xining/20231117/1725342421377781761.jpg\")
岁月失语、唯石能言，这些远古岩画用强烈的写实主义风格讲述着原始先民留下的动人故事，反映了古代先民们的原始宗教信仰、哲学思想、美学倾向、经济生活等文明脉络传承。“以岩为言”，向观众展示了贺兰山岩画丰富内涵，让广大市民可以近距离欣赏贺兰山岩画文化风采。
\n![](\"https://pic.wentiyun.cn/xining/20231117/1725342925642174466.jpg\")
![](\"https://pic.wentiyun.cn/xining/20231117/1725344212546916353.jpg\")
![](\"https://pic.wentiyun.cn/xining/20231117/1725344624104607746.jpg\")
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","createTime":"2023-12-20 10:59:37","createUser":4069,"exId":43,"id":746,"seriesId":92,"sortValue":10000,"status":0,"title":"1"},{"content":"
","createTime":"2023-12-20 10:59:37","createUser":4069,"exId":43,"id":747,"seriesId":92,"sortValue":10000,"status":0,"title":"2"},{"content":"
","createTime":"2023-12-20 10:59:38","createUser":4069,"exId":43,"id":748,"seriesId":92,"sortValue":10000,"status":0,"title":"3"},{"content":"
","createTime":"2023-12-20 10:59:38","createUser":4069,"exId":43,"id":749,"seriesId":92,"sortValue":10000,"status":0,"title":"4"},{"content":"
","createTime":"2023-12-20 10:59:38","createUser":4069,"exId":43,"id":750,"seriesId":92,"sortValue":10000,"status":0,"title":"5"},{"content":"早在八千年前，华夏先祖已经选择美石制作玉器。到新石器时代晚期，玉被赋予了神秘的力量，成为宗教礼仪用器。《周礼》更是将用玉纳入到国家的典章制度之中，“以玉作六器，以礼天地四方”，璧、琮、圭、璋、琥、璜，做为祭祀所用的六瑞玉，其使用有着严格的等级制度。同时，玉斧、钺、戈、铲等并不具有实用功能的工具和兵器，为王所独有，为巫所用，成为权力和身份的象征。由此，开辟了玉器的“道德化”、“宗教化”和“政治化”的新时代。
","createTime":"2023-12-28 10:51:24","createUser":7321,"exId":44,"id":751,"seriesId":93,"sortValue":10000,"status":0,"title":"天地圣灵——礼仪用玉","updateTime":"2023-12-28 10:56:45","updateUser":7321},{"content":"![](\"https://pic.wentiyun.cn/xining/20231228/1740204803937730562.png\")
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玉佩饰，是指佩戴所用之玉器。一般器形不太大，有孔可穿系或缝制，分为头饰、耳饰、项饰、手饰、身饰以及随身携带器物上的装饰等，种类繁多，形制多样。佩玉风尚起自新石器时代，此后一直相沿成习。随着社会的进步，人们的审美观念根据民族习俗和时代的变迁而不断变化，玉佩饰也大为发展，历代佩饰既有传统的延续，又有众多的创新，丰富多彩，蔚为大观。特别是明清时期的玉佩饰，更是集历代之大成，不仅题材图案多种多样，而且做工也更为精巧细致。
","createTime":"2023-12-28 11:00:29","createUser":7321,"exId":44,"id":756,"seriesId":94,"sortValue":10000,"status":0,"title":"温润秀美——玉佩饰"},{"content":"![](\"https://pic.wentiyun.cn/xining/20231228/1740206136807849986.png\")
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陈设玉器是指用于摆设观赏的玉器。初见于战国、秦汉，宋辽金元时期开始盛行，明清达到鼎盛。一般分为陈设用品、仿古礼器等类型，而用玉来制作的如碗、壶、瓶等生活器具，以及笔掭、洗等文房用品，并不具备实用功能，亦作摆设观赏之用，故也属陈设玉器一类。陈设玉器型体较大，多为圆雕、浮雕和镂雕。题材广泛，涉及历史故事、民间传说、山水仙境、吉祥图案等，追求着一种绘画意境和笔墨情趣。
","createTime":"2023-12-28 11:07:29","createUser":7321,"exId":44,"id":761,"seriesId":95,"sortValue":10000,"status":0,"title":"巧夺天工——陈设玉器"},{"content":"![](\"https://pic.wentiyun.cn/xining/20231228/1740207907382951938.png\")
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“光明齐于日月兮，文采耀耀于玉石”，在所有制作古代器物的原料中，玉石最能展现中国文化与审美的本质。人们对玉的珍爱并不仅限于古代，它传承数千年，延续至今。中国玉文化数千年来内容丰富，范围广泛，影响深远。
\n习近平总书记指出“研究和利用好凝结着中华民族传统文化的文物，让历史说话，让文物活过来，给当代人以民族自信和历史启迪”。让我们继续发扬中国玉文化的优良传统，以玉比德，以德治国，共同去感受中华民族爱玉、尊玉的伟大情怀。
\n![](\"https://pic.wentiyun.cn/xining/20231228/1740210341228511233.jpg\")
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荷包的雏形就是软囊，多用皮革制成。现存最早的囊实物，是春秋战国时期的遗物。南北朝时，佩囊制度正式确立。同时，由于丝织业的兴起，丝织品也被用来做囊。至隋代，囊成为常见的腰间配饰。唐代的“鱼袋”、“龟袋”，还具备了识别官员身份品级的功能。宋以后，出现“荷包”这一称谓。清·汪汲《事物原会》记称：“晋《舆服志》：文武皆有囊缀绶，八座尚书则荷紫，乃负荷之荷，非荷渠也。今谓囊曰荷包本此。明清时的荷包，常以丝织物做成，施彩绣，图案造型多样，除了实用功能外，还被赋予了更多的审美价值。
","createTime":"2024-02-04 10:13:12","createUser":7321,"exId":48,"id":791,"seriesId":101,"sortValue":10000,"status":0,"title":"荷包溯源——荷包的起源及历史","updateTime":"2024-02-04 10:46:02","updateUser":7321},{"content":"民间荷包刺绣的创作题材来源于与人们生活息息相关的自然，它不只是自然物象简单的再现，而是人们在生活劳动中提炼、加工创造出来的一种精神寄托和情感的慰藉。民间荷包图案与纹饰体现了人们主观思想情感与自然景物的交融，凝结着人们善良的愿望、美好的向往和对幸福的追求。在思想内容方面把社会的政治、伦理、道德、价值观念及生活理想与图案形象结合起来，表现一定的含义，即所谓图必有意，意必吉祥，称为吉祥图案。
\n![](\"https://pic.wentiyun.cn/xining/20240204/1753966778555469826.jpg\")
与西方人以玫瑰代表爱情不同，传统上中国人很少用一种特定的植物来表达爱情。究其原因，乃是因为中国古代讲究门当户对，为人父母者，只凭媒妁之言便缔结儿女姻缘，而于爱情，则视作男女之大防。古来的风气如此，爱情的产生便缺乏社会基础，于是古代的爱情，更多的是用虚化的物象征爱情，诗文、戏曲中，常见描摹相恋、相思的婉转笔墨，荷包也在不经意中表达着东方人含蓄而浪漫的情感。
\n","createTime":"2024-02-04 10:26:48","createUser":7321,"exId":48,"id":795,"seriesId":102,"sortValue":10000,"status":0,"title":"佳偶良缘","updateTime":"2024-02-04 10:57:02","updateUser":7321},{"content":"
![](\"https://pic.wentiyun.cn/xining/20240204/1753973231869661185.jpg\")
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中国的民族文化传统倡导的是“家国天下”，家庭作为社会的基本单位，是每个人都脱不开的一个集合体，也是通过血缘关系发展起来的整个中华民族大家庭的基础。保证后代子嗣绵延昌盛，是每一个中国人内心文化观念的体现，也是道德文明的基本要求。同其他很多中国传统器物如青铜器、瓷器一样，荷包作为人们随身携带的日常用品，祈求后代繁盛的纹饰题材被大量使用。
","createTime":"2024-02-04 11:00:01","createUser":7321,"exId":48,"id":808,"seriesId":102,"sortValue":10000,"status":0,"title":"子嗣繁荣"},{"content":"![](\"https://pic.wentiyun.cn/xining/20240204/1753976884261195778.jpg\")
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吉祥文化根植于中国本土的民俗观念。吉祥二字典出于春秋的《庄子》，其曰：“虚室生白，吉祥止止。”唐代成玄英又疏：“吉者，福善之事；祥者，喜庆之征。”这是吉祥文化的最早释义。古往今来，吉祥文化的内涵随历史延续而发展，其社会功能涉及祈福纳吉、伦理教化和驱邪禳灾诸方面。世界各国吉祥文化发展及内容千差万别，但是，人类对美好事物和生活的向往追求是相同的。“福、禄、寿、财”是吉祥文化的核心内容，是彼此关联而又各具特色的吉瑞主题。体现在具有主题性的民间美术，特别是那些原生态的传统吉祥物品，不仅艺术形式质朴、生动，工艺制作美轮美奂，而且寓意深刻，文化内涵丰富。典型的传统民艺作品，往往以吉祥图案表现，由于设题机巧、易于上口，更为百姓所喜闻乐见。在历史长河流逝的漫长岁月中，由于“福、禄、寿、财”始终贴近民众生活，因而在民俗事象中流传广泛、经久不衰。
","createTime":"2024-02-04 11:08:10","createUser":7321,"exId":48,"id":819,"seriesId":102,"sortValue":10000,"status":0,"title":"福禄寿财"},{"content":"![](\"https://pic.wentiyun.cn/xining/20240204/1753978921568866305.jpg\")
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针脚，是组成刺绣图案的基本单位。在荷包上，人们凭借手中的针与线，描绘着包罗万象的图案。长期的刺绣实践中，总结出了大量的刺绣经验，绣法薪火相传，亦不断推陈出新。三蓝绣深浅变化的层次，打籽绣颗粒分明的凸起，古老的纳纱绣甚至还有一点现代流行的像素感。正是凭借这些变化万千的绣法，荷包才能为我们展现一幅幅丰富多彩的画卷……
","createTime":"2024-02-04 11:46:16","createUser":7321,"exId":48,"id":828,"seriesId":106,"sortValue":10000,"status":0,"title":"指尖技巧——荷包刺绣针法"},{"content":"![](\"https://pic.wentiyun.cn/xining/20240204/1753988460762533889.jpg\")
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一个小小的荷包，带我们了解过去人们的生活状态，让我们看到了民间工艺的巧夺天工，还感受到了一枚枚荷包承载的人们心中念力。
\n一沙一世界，一叶一菩提。荷包虽小，曾不盈寸。如果有心探究，亦能于方寸之间，开辟一方供我们自由寻觅的世界！
\n![](\"https://pic.wentiyun.cn/xining/20240204/1753989539940175873.jpg\")
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![](\"https://pic.wentiyun.cn/xining/20240509/1788416355891081218.png\")
建盏在宋代之所以流行，并且有着极高地位的原因有几个。
\n在宋代，饮茶方式极具特色，既不是唐代的煮茶，也不是现代的泡茶，而是点茶。所谓“点茶”，饮茶时先把精细的茶末用开水冲点，并用茶筅用力搅拌（古称“击拂”），以使茶与水完全溶为一体，然后趁热饮用。
\n如此独特的饮茶文化，衍生出了“斗茶”这一竞技活动，而建盏又恰好非常适合斗茶的需要，其胎质较厚，是一种铁质胎，能够耐高温，保温性比较好。釉色是黑而滋润，光亮如漆，其它窑系的黑釉瓷很少能与其媲美，即使与建窑同样以生产黑釉产品而闻名的吉州窑，它的釉色也不及建盏黑、滋润。用这种茶盏衬出来的白色茶沫，色调分明，便于品评，是斗茶竞技不二的选择。
","createTime":"2024-07-05 10:11:45","createUser":7321,"exId":51,"id":849,"seriesId":111,"sortValue":10000,"status":0,"title":"独特的饮茶文化","updateTime":"2024-07-05 10:20:49","updateUser":7321},{"content":"![](\"https://pic.wentiyun.cn/xining/20240705/1809047753530183682.jpg\")
![](\"https://pic.wentiyun.cn/xining/20240705/1809048154241404930.jpg\")
![](\"https://pic.wentiyun.cn/xining/20240705/1809048241185132546.jpg\")
宋·建窑黑釉兔毫瓷盏
\n口径18/底径6/高8.6（单位：厘米，下同）
","createTime":"2024-07-05 10:14:54","createUser":7321,"exId":51,"id":851,"seriesId":111,"sortValue":10000,"status":0,"title":"宋·建窑黑釉兔毫瓷盏"},{"content":"![](\"https://pic.wentiyun.cn/xining/20240705/1809048729288871937.jpg\")
宋·建窑黑釉兔毫瓷盏
\n口径12.2/底径4.1/高6
","createTime":"2024-07-05 10:16:46","createUser":7321,"exId":51,"id":852,"seriesId":111,"sortValue":10000,"status":0,"title":"宋·建窑黑釉兔毫瓷盏","updateTime":"2024-07-05 10:18:11","updateUser":7321},{"content":"它的代言人不是别人，就是那位皇帝艺术家宋徽宗赵佶。他对茶艺十分痴迷，不仅作茶诗，绘茶画，还号召：“天下之士，励志清白，兢为闲暇修索之玩，莫不碎玉锵金，啜英咀华。较筐箧之精，争鉴裁之别，虽下士于此时，不以蓄茶为羞，可谓盛世之情尚也。”
\n更是以帝王之尊，撰写茶书《大观茶论》，可以说以皇帝身份写茶书，前无古人后无来者，宋徽宗是五干年来头一份。他在《大观茶论》中忍不住的赞道：“盏色贵青黑，玉毫条达者为上，取其焕发茶采色也。底必差深而微宽。底深则茶直立，易以取乳；宽则运筅旋彻，不碍击拂。然须度茶之多少，用盏之大小。盏高茶少，则掩蔽茶色；茶多盏小，则受汤不尽。盏惟热，则茶发立耐久。”这段话以三个角度说盏，其中任何一句拿出来，都是当时最有力的建盏广告语，也是建盏作为茶器，位居“宋代第一”的明证。
","createTime":"2024-07-05 10:20:27","createUser":7321,"exId":51,"id":853,"seriesId":111,"sortValue":10000,"status":0,"title":"强大的形象代言"},{"content":"![](\"https://pic.wentiyun.cn/xining/20240705/1809050456712974338.jpg\")
![](\"https://pic.wentiyun.cn/xining/20240705/1809050528385241090.jpg\")
![](\"https://pic.wentiyun.cn/xining/20240705/1809055690470363137.jpg\")
宋·建窑黑釉兔毫纹“供御”铭瓷盏（残）
\n口径12.3/底径3.9/高6.1
","createTime":"2024-07-05 10:44:33","createUser":7321,"exId":51,"id":856,"seriesId":111,"sortValue":10000,"status":0,"title":"宋·建窑黑釉兔毫纹“供御”铭瓷盏（残）"},{"content":"宋太祖赵匡胤在陈桥发动兵变，由于担心政体不稳定，通过一次酒宴，来了一场著名的“杯酒释兵权”。之后采取重文抑武的施政方针，直接导致文人士大夫以诗歌、斗茶为乐，饮茶文化迎来历史的第一个巅峰，卷起了一场风靡全国的斗茶热潮，不论贵族，文人还是普通百姓，都离不开茶，离不开“茶”也就离不开“盏”。
","createTime":"2024-07-05 10:46:32","createUser":7321,"exId":51,"id":857,"seriesId":111,"sortValue":10000,"status":0,"title":"文人墨客的追崇"},{"content":"![](\"https://pic.wentiyun.cn/xining/20240705/1809056365979799553.jpg\")
宋·建窑酱釉兔毫瓷盏
\n口径12.6/底径4/高5.8
","createTime":"2024-07-05 10:47:07","createUser":7321,"exId":51,"id":858,"seriesId":111,"sortValue":10000,"status":0,"title":"宋·建窑酱釉兔毫瓷盏"},{"content":"还有一个很重要的环境因素，宋代的经济繁荣，社会稳定，手工艺、陶瓷、茶叶、染织等发达，人民生活富庶，也就有了对精神生活的强烈追求，这也是斗茶风靡，建盏盛行的一个重要因素。
","createTime":"2024-07-05 10:48:15","createUser":7321,"exId":51,"id":859,"seriesId":111,"sortValue":10000,"status":0,"title":"繁荣的社会经济"},{"content":"![](\"https://pic.wentiyun.cn/xining/20240705/1809063723472687105.jpg\")
宋·建窑黑釉兔毫瓷盏
\n口径12.8/底径3.8/高6.2
","createTime":"2024-07-05 11:16:25","createUser":7321,"exId":51,"id":860,"seriesId":111,"sortValue":10000,"status":0,"title":"宋·建窑黑釉兔毫瓷盏"},{"content":"中国的建窑，世界的建盏，作为中国陶瓷史上一笔浓墨的建盏，其独有艺术韵味，乃至在世界都有深远的影响。日本是最早意识到建盏魅力的国家，至宋代茶文化传入后，对建盏始终青睐有加，据公元1511年出版的日本《君台观左右帐记》史册记载：“曜变斑建盏，乃无上神品，值万匹绢；油滴斑建盏，是第二重宝，值五千匹绢；兔毫盏，值三千匹绢。”
\n到目前为止，在日本官方认定的国宝级文物中，瓷器仅有14件，其中有8件是中国瓷器，8件中有4件是宋代建盏（含3件曜变盏，1件油滴盏），值得一提的是这3件曜变盏，也是目前已知世上仅存的3件，目前世界各国大型博物馆均收藏有中国的建盏。
","createTime":"2024-07-05 11:33:19","createUser":7321,"exId":51,"id":861,"seriesId":112,"sortValue":10000,"status":0,"title":"建盏如何有名"},{"content":"![](\"https://pic.wentiyun.cn/xining/20240705/1809068184547004417.jpg\")
现代·白点鹧鸪斑瓷盏
\n","createTime":"2024-07-05 11:34:03","createUser":7321,"exId":51,"id":862,"seriesId":112,"sortValue":10000,"status":0,"title":"现代·白点鹧鸪斑瓷盏"},{"content":"
建窑是宋代八大名窑之一，位于建阳区水吉镇后井村池中一带，历史上属于建州，故名“建窑”。窑址有芦花坪、牛皮仑、大路后门、营长乾等处，规模约有十二万平方米。近二十多个足球场那么大，其中最长的一座龙窑长达135.6米，窑宽1至2.35米，依山而建，头尾高差28.65米，是我国已知最长的龙窑。有学者研究称一窑可达10万件，可见当时装窑是何等繁忙热闹，出窑又是何等壮观。
\n建窑创烧于晚唐五代时期，但此时规模较小，以生产青釉瓷器为主。到了宋代，建窑逐渐崛起，北宋中期至南宋中期是建窑的鼎盛时期，此时建窑与江西景德镇窑、浙江龙泉窑呈分庭抗礼之势，在世界陶瓷艺坛上放射光芒，元代中后期以后，建窑趋于衰弱，明代停烧。
","createTime":"2024-07-05 11:42:57","createUser":7321,"exId":51,"id":863,"seriesId":113,"sortValue":10000,"status":0,"title":"建窑的规模","updateTime":"2024-07-05 14:20:36","updateUser":7321},{"content":"![](\"https://pic.wentiyun.cn/xining/20240705/1809070953861386242.jpg\")
现代·祥云柿红釉瓷盏
","createTime":"2024-07-05 11:45:07","createUser":7321,"exId":51,"id":864,"seriesId":113,"sortValue":10000,"status":0,"title":"现代·祥云柿红釉瓷盏"},{"content":"![](\"https://pic.wentiyun.cn/xining/20240705/1809071089333211138.jpg\")
现代·黑釉木叶瓷盏
","createTime":"2024-07-05 11:45:37","createUser":7321,"exId":51,"id":865,"seriesId":113,"sortValue":10000,"status":0,"title":"现代·黑釉木叶瓷盏"},{"content":"中国陶瓷自始烧制以来，在外观上追求颜色的清浅，故釉由黑变酱、再青、再白、再透明无色，在形体上追求秀雅轻薄，在保证实用功能的基础上，强化装饰性。然而建盏恰恰走了一条相反的路子，颜色深沉，形体厚重，大巧若拙，大雅若俗，但是它的烧制流程与其他瓷器大致相同，主要经过：选矿、粉碎、淘洗、配料、陈腐、练泥、揉泥、拉坯、修坯、素烧、上釉、装窑、焙烧等13道工序。
","createTime":"2024-07-05 11:48:08","createUser":7321,"exId":51,"id":866,"seriesId":114,"sortValue":10000,"status":0,"title":"建盏的烧制工序","updateTime":"2024-07-05 14:26:30","updateUser":7321},{"content":"![](\"https://pic.wentiyun.cn/xining/20240705/1809073349048045570.jpg\")
![](\"https://pic.wentiyun.cn/xining/20240705/1809073569450332161.jpg\")
宋·建窑黑釉兔毫瓷盏（带匣钵）
\n口径15/高6.5
","createTime":"2024-07-05 11:55:29","createUser":7321,"exId":51,"id":868,"seriesId":114,"sortValue":10000,"status":0,"title":"宋·建窑黑釉兔毫瓷盏（带匣钵）"},{"content":"瓷器有史以来，唯有在宋代，一大名窑，只烧一器，这就是建窑。（当然并不绝对，比如建窑也出产些油灯之类的琐碎器具，但与建盏相较，尽可忽略）
\n建窑基本上只出产黑釉茶盏，但就是这单一的黑釉茶盏，却在人工之精，造化之巧的共同作用下，幻化出万干华彩，无尽之美，成为斗茶茗战之利器，为当世所珍，并被皇家推崇。
","createTime":"2024-07-05 14:09:24","createUser":7321,"exId":51,"id":869,"seriesId":115,"sortValue":10000,"status":0,"title":"一窑一器"},{"content":"![](\"https://pic.wentiyun.cn/xining/20240705/1809107381592952834.jpg\")
现代·油滴瓷盏
","createTime":"2024-07-05 14:09:49","createUser":7321,"exId":51,"id":870,"seriesId":115,"sortValue":10000,"status":0,"title":"现代·油滴瓷盏"},{"content":"建盏造型古朴浑厚，手感压沉，是采用手工拉坯成型的。双手将泥拉成器坯，要成竹在胸，一气呵成，灵活运用推、拉、收、放等手法，在准确适度的内外两个力的调合中找到器壁最佳形式成型。建盏整体器型经干锤百炼后基本不变，大致可分为敞口、束口、敛口和撇口四类，每类又可以分大、中、小型，口径分别为：15厘米以上,11至15厘米,11厘米以下。
","createTime":"2024-07-05 14:16:01","createUser":7321,"exId":51,"id":871,"seriesId":115,"sortValue":10000,"status":0,"title":"建盏的器型"},{"content":"![](\"https://pic.wentiyun.cn/xining/20240705/1809109055652925441.jpg\")
![](\"https://pic.wentiyun.cn/xining/20240705/1809109177367433217.jpg\")
![](\"https://pic.wentiyun.cn/xining/20240705/1809109284368322562.jpg\")
![](\"https://pic.wentiyun.cn/xining/20240705/1809109380325609474.jpg\")
![](\"https://pic.wentiyun.cn/xining/20240705/1809109545719599106.jpg\")
现代·油滴瓷盏
","createTime":"2024-07-05 14:18:34","createUser":7321,"exId":51,"id":876,"seriesId":115,"sortValue":10000,"status":0,"title":"现代·油滴瓷盏"},{"content":"![](\"https://pic.wentiyun.cn/xining/20240705/1809109699583447041.jpg\")
现代·油滴瓷盏
","createTime":"2024-07-05 14:19:00","createUser":7321,"exId":51,"id":877,"seriesId":115,"sortValue":10000,"status":0,"title":"现代·油滴瓷盏"},{"content":"风靡于宋代的斗茶文化艺术，是驱动建窑发展的根本原因。建盏的推崇与斗茶的历史背景息息相关，换句话说，建盏，只属于宋代，只属于点茶，只属于文风雅致的宋人。
\n宋代灭亡后，饮茶方式也开始走向简单化，盛行三百多年的宋代点茶法迅速衰落，最终演变成用沸水冲泡的瀹饮法，并沿袭至今。因此，建盏便开始失去了本身的实用价值，逐渐地退出了历史舞台。随后，明清以来的青花瓷茶具盛行于世，紫砂茶壶也独领风骚，至今犹盛。总而言之，建盏的兴衰可谓“成也点茶，败也点茶”。
","createTime":"2024-07-05 14:23:42","createUser":7321,"exId":51,"id":878,"seriesId":116,"sortValue":10000,"status":0,"title":"建盏绝迹的原因"},{"content":"![](\"https://pic.wentiyun.cn/xining/20240705/1809111045531406338.jpg\")
现代·窑变釉瓷杯
","createTime":"2024-07-05 14:24:25","createUser":7321,"exId":51,"id":879,"seriesId":116,"sortValue":10000,"status":0,"title":"现代·窑变釉瓷杯"},{"content":"新中国成立以后文物考古工作逐渐走上轨道。
\n1954年，华东文物工作队福建工作组对水吉窑进行考古调查。
\n1960年，厦门大学人类博物馆对芦花坪窑址进行首次发掘，发掘面积约90平方米，出土标本千余件。
\n1977年，福建省博物馆、厦门大学历史系和建阳县文化馆联合对芦花坪进行第二次发掘，发掘面积208平方米。
\n1990年至1992年，中国社会科学院考古研究所与福建省博物馆联合组成建窑考古队，对建窑遗址进行全面调查和重点发掘，揭露多座窑炉遗迹。
\n1985年，建窑遗址被福建省政府公布为省级文物保护单位。
\n2001年，建窑遗址被国务院公布为第五批全国重点文物保护单位。
","createTime":"2024-07-05 14:28:11","createUser":7321,"exId":51,"id":880,"seriesId":117,"sortValue":10000,"status":0,"title":"建窑的探索"},{"content":"![](\"https://pic.wentiyun.cn/xining/20240705/1809112117020889090.jpg\")
现代·金油滴瓷盏
","createTime":"2024-07-05 14:28:37","createUser":7321,"exId":51,"id":881,"seriesId":117,"sortValue":10000,"status":0,"title":"现代·金油滴瓷盏"},{"content":"![](\"https://pic.wentiyun.cn/xining/20240705/1809112209668870146.jpg\")
现代·彩金油滴瓷盏
","createTime":"2024-07-05 14:28:59","createUser":7321,"exId":51,"id":882,"seriesId":117,"sortValue":10000,"status":0,"title":"现代·彩金油滴瓷盏"},{"content":"新中国成立后，在建窑遗址考古工作持续开展的同时，专家们对建盏烧制工艺的恢复研究也一直在进行。
\n自1979年9月始由中央工艺美院、福建省科委、省轻工所和建阳瓷厂等部门和单位组成攻关小组进行仿古建盏实验，终于在1981年3月第一次向社会公布了仿宋兔毫建盏的样品，并获得了有关人士的好评。
\n1981年5月7日至10日，福建省科委邀请了北京故宫博物馆、中国历史博物馆、轻工部陶瓷所、外交部总务司、上海博物馆、上海硅胶所等30多个单位的50多位专家、学者对仿建盏产品进行鉴定，结果表明，仿宋兔毫盏不仅形似，而且神似。无论是釉色、纹理，还是胎骨、造型等都达到了以假乱真的水平。
\n20世纪末，带耀斑的仿曜变天目盏也获得成功，并少量流入市场，但此类产品与日本收藏的曜变天目碗相去较远，容易辨认。
\n2009年，建窑建盏烧制技艺被列入福建省第三批非物质文化遗产名录。
\n2011年5月23日，建窑建盏烧制技艺经国务院批准，被列入第三批国家级非物质文化遗产名录。
","createTime":"2024-07-05 14:29:58","createUser":7321,"exId":51,"id":883,"seriesId":118,"sortValue":10000,"status":0,"title":"建盏的复烧"},{"content":"![](\"https://pic.wentiyun.cn/xining/20240705/1809112551412371457.jpg\")
现代·油滴瓷瓶
","createTime":"2024-07-05 14:30:21","createUser":7321,"exId":51,"id":884,"seriesId":118,"sortValue":10000,"status":0,"title":"现代·油滴瓷瓶 "},{"content":"建盏的不朽魅力，藏在宋徽宗高妙审美的心境中，藏在宋代大师无数次失败的煎熬中，藏在宋代文坛巨匠畅怀讴歌的诗词中，藏在世界茶与瓷文化发展的历史长河中！
","createTime":"2024-07-05 14:31:25","createUser":7321,"exId":51,"id":885,"seriesId":119,"sortValue":10000,"status":0,"title":"结束语"},{"content":"![](\"https://pic.wentiyun.cn/xining/20240705/1809112928744542209.jpg\")
![](\"https://pic.wentiyun.cn/xining/20240705/1809113014090240002.jpg\")
![](\"https://pic.wentiyun.cn/xining/20240705/1809113082830688258.jpg\")
![](\"https://pic.wentiyun.cn/xining/20240705/1809113149264269313.jpg\")
![](\"https://pic.wentiyun.cn/xining/20240705/1809113226108112897.jpg\")
![](\"https://pic.wentiyun.cn/xining/20240705/1809113289999945730.jpg\")
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四臂观音是观音的密教化身之一，佛菩萨之菩提心所化现。世人称为大慈大悲的观世音菩萨，与婆娑世界之众生特别有缘，是因为他经常示现救渡众生，故此观世音菩萨最受人供奉。该四臂观音坐在三裂叶拱形垂帐式龛内，白色头光蓝色身光。观音形体秀雅，身躯为亮丽的洁白色，代表清净无瑕。头戴五叶冠，顶结尖状高髻。身上配有金黄色耳环、项链、长璎珞、臂钏、手镯。左肩斜披赭色鹿皮绶带，代表慈悲及纯正的心。腰系绿色腰带的黑色镶宝石串珠的围裙。两支主臂置于胸前双手合十，结契印，抱着一颗如意宝珠。另外两臂向外伸展，左手轻捻向外绽放的莲花，右手拧着向下垂吊的念珠。腿部穿着贴体透明短裤。结跏趺坐于白色莲花座上，其下两力士举双手托着莲座。
","createTime":"2024-07-11 09:49:17","createUser":7321,"exId":52,"id":887,"seriesId":120,"sortValue":10000,"status":0,"title":"四臂观音"},{"content":"![](\"https://pic.wentiyun.cn/xining/20240711/1811216312213573634.jpg\")
观音菩萨肤黄色，头戴五叶宝冠，结高髻顶上严宝。身佩白色和黑白相间的细串珠，相比起来璎珞显得宽大绕到腹下。深底小白花短裙，间有弧形纹饰的肤色袜子。一面十臂，上左右两手举过头顶捧光明山，中左右两手置于胸前，是否持宝珠，画残已看不清。下左右两手腹际捧圆轮，右出二手作手印和持莲华上出四出金刚杵，左出二手作手印和举金刚铃。结金刚趺坐，坐于方形折角束腰白莲花座上。
","createTime":"2024-07-11 09:50:02","createUser":7321,"exId":52,"id":888,"seriesId":120,"sortValue":10000,"status":0,"title":"十臂如意轮观音（持宝金刚）"},{"content":"![](\"https://pic.wentiyun.cn/xining/20240711/1811216453003776002.jpg\")
大日如来为汉密风格的造型，侧立着弟子、菩萨、天王等圣众。佛像神态安详，宝蓝色低平肉髻，饰髻珠，身赤赭色，着僧服。双手胸前结智拳印，结跏趺坐，坐于八角工字形束腰青色莲花座上，棕色头光，青色身光，身光冒着火焰，顶上悬华盖，虚空间漂浮着彩云。佛身侧伫立着二弟子、四菩萨、二天王。二弟子身白色，眼神低俯，虔诚恭立。四菩萨头戴花冠，顶结高鬟髻（huanji）,秀发披肩，肤色本来是有区分的，现在都褪变成赤红色，身佩菩萨装扮。二天王着战衣，紧握双拳，两眼聚神凝视着远方。上角画二飞天，托着供盘。色彩鲜明，绿色色块突出。
","createTime":"2024-07-11 09:50:33","createUser":7321,"exId":52,"id":889,"seriesId":120,"sortValue":10000,"status":0,"title":"大日如来说法图"},{"content":"东千佛洞石窟以其内容丰富、技艺精湛的西夏壁画见长，其密宗佛教壁画可弥补榆林、莫高二窟之不足。壁画中《玄奘取经图》和榆林窟同时期《玄奘取经图》是我国石窟寺壁画艺术中反映唐僧取经故事的珍贵资料。著名敦煌学家段文杰先生在1990年国际敦煌学术研讨会上宣读新作《新发现玄奘取经图》时说：“安西榆林窟和东千佛洞六幅玄奘取经图的发现，是稀世之珍，在研究佛教思想的演变，研究中印文化交流的历史，研究《西游记》成书之前，主要人物艺术形象的创造和完善过程，是难得的形象资料。”
\n经专家考证，东千佛洞石窟是中国西夏文题记最多的洞窟，是中国西夏壁画艺术的杰出代表，也是中国目前唯一保存的具有印度波罗王朝时期艺术风格的壁画。这些对于民族学研究和探讨宗教艺术特别是密宗佛教艺术具有很高价值。
","createTime":"2024-07-11 09:51:19","createUser":7321,"exId":52,"id":890,"seriesId":121,"sortValue":10000,"status":0,"title":"结束语"},{"content":"![](\"https://pic.wentiyun.cn/xining/20240711/1811216761129930754.jpg\")
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1949年4月21日，中共中央军委主席毛泽东、中国人民解放军总司令朱德联名发布了《向全国进军的命令》，号召解放全中国。1949年4月23日，人民解放军占领南京，宣告了国民党反动统治的灭亡，在西北战场上，我第一野战军在5月20日解放了我国历史名城西安后，遵照毛泽东主席关于青、宁二马应予区别对待的指示，根据中共中央西北局第一书记、第一野战军司令员兼政委彭德怀部署，人民解放军以雷霆万钧之势，横扫残敌，勇猛追击，乘胜解放大西北。1949年8月27日，西北野战军第一兵团接到了进军青海夺取西宁的战斗命令。兵团机关和二军在王震司令员兼政治委员的直接率领下，由临夏取循化，过黄河，经甘都、化隆直取西宁。解放青海夺取西宁的历史性大进军，就在这浩浩荡荡的铁流的滚动中开始了。
","createTime":"2024-07-11 10:48:12","createUser":7321,"exId":53,"id":892,"seriesId":122,"sortValue":10000,"status":0,"title":"解放西宁"},{"content":"![](\"https://pic.wentiyun.cn/xining/20240711/1811231061026410498.jpg\")
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1949年9月5日西宁解放，9月8日西宁市人民政府成立，人民迎来了当家作主的新纪元。
\n西宁解放后首要任务就是迅速接管地方各项工作，帮助各族人民建设新生政权。根据上级指示和当时的实际情况，首先从一军抽调了一批干部组成青海省人民军政委员会和西宁市军事管制委员会，接管省、市旧政权。出于形势发展的需要和人民群众的要求，军党委又决定，由军、师各级领导机关抽出大批干部，采取分区负责的方法，大力协助地方建立县、区政权，各地新生政权一成立，即迅速开展工作。新生的政权很快就得到人民群众的信任和拥护。社会治安得到稳定，社会生产得以恢复，人民群众安居乐业，各行各业焕发生机。
","createTime":"2024-07-11 10:59:27","createUser":7321,"exId":53,"id":902,"seriesId":123,"sortValue":10000,"status":0,"title":"接管西宁"},{"content":"![](\"https://pic.wentiyun.cn/xining/20240711/1811233935521353730.jpg\")
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解放西宁，是为了建设一个繁荣富强、民主文明的新青海。从进军青海之日起，中国共产党和领导的人民军队就把帮助各族人民发展生产放到重要的位置上，在建政、剿匪的同时，即抽调大批指战员投入生产建设。从1950年3月初到4月中旬，全军先后开展了以农业为主，手工业、运输业为辅的大生产运动。与此同时，修筑飞机场、修建营房、挖黄金等......全军呈现一派热气腾腾的生产建设局面。经过大量艰苦卓绝、富有成效的工作后，西宁这座古城获得了新生。
","createTime":"2024-07-12 10:28:30","createUser":7321,"exId":53,"id":907,"seriesId":124,"sortValue":10000,"status":0,"title":"建设西宁"},{"content":"![](\"https://pic.wentiyun.cn/xining/20240712/1811589268957696002.jpg\")
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新时代，新征程，我们要高举中国特色社会主义伟大旗帜，坚持以习近平新时代中国特色社会主义思想为指导，深入贯彻学习习近平总书记对青海工作的重点要求，立足新发展阶段，完整、准确、全面贯彻新发展理念，服务和融入新发展格局，坚持以人民为中心，坚持稳中求进工作总基调，坚持系统观念，深化改革开放，统筹发展和安全，融入和推进“一优两高”部署和“四地”建设，铸牢中华民族共同体意识，以打造生态文明高地引领高质量发展，走在前作表率，感恩奋进，拼搏赶超，聚力建设现代美丽幸福大西宁。
","createTime":"2024-07-12 15:13:45","createUser":7321,"exId":53,"id":917,"seriesId":125,"sortValue":10000,"status":0,"title":"结束语","updateTime":"2024-07-12 15:17:26","updateUser":7321},{"content":"![](\"https://pic.wentiyun.cn/xining/20240712/1811660956005175297.jpg\")
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修旧如旧，保留原貌，防止建设性破坏”，是习近平总书记对筹建武汉中共中央机关旧址纪念馆的报告作出的批示，西宁市文物保护工作中我们始终遵循这一指示，以“三防”为核心，持续加大文物本体保护及修缮力度，先后完成北山土楼观、城隍庙、文庙等一批重要古建修缮保护工程，截至目前全市古建修缮率已达90%以上。
","createTime":"2024-08-17 14:56:41","createUser":7321,"exId":54,"id":919,"seriesId":126,"sortValue":10000,"status":0,"title":"古建修缮","updateTime":"2024-08-19 10:53:49","updateUser":1664171275664359425},{"content":"![](\"https://pic.wentiyun.cn/xining/20240817/1824702570919243777.jpg\")
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西宁市先后进行三次不可移动文物普查和一次可移动文物普查，通过普查，全面掌握了我市地上地下文物分布情况、保护现状及国有收藏单位可移动文物的数量、分布、本体特征、人文信息和保存情况，为全市文物保护利用工作打下坚实基础。
","createTime":"2024-08-17 16:34:14","createUser":7321,"exId":54,"id":926,"seriesId":127,"sortValue":10000,"status":0,"title":"西宁市文物普查","updateTime":"2024-08-19 11:19:40","updateUser":1664171275664359425},{"content":"![](\"https://pic.wentiyun.cn/xining/20240817/1824726548618629122.jpg\")
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统筹协调文物保护与城市经济发展，切实保障文物保护用地。一是对涉及各级文物保护单位建设控制地带和地下文物埋藏区的建设项目，要求严格按照文物保护法律法规执行。二是加大基本建设中的考古调查、勘探、发掘和文物保护工作力度，2016年以来先后完成全国重点文物保护单位西宁沈那遗址、省级重点文物保护单位孙家寨遗址的考古勘探调查工作，勘探总面积超过200万平方米。
","createTime":"2024-08-17 16:40:07","createUser":7321,"exId":54,"id":932,"seriesId":128,"sortValue":10000,"status":0,"title":"考古勘探调查"},{"content":"![](\"https://pic.wentiyun.cn/xining/20240817/1824728738380861441.jpg\")
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1984年8月，西宁市文物管理站成立。承担西宁市及大通县文物保护管理、行政执法、发掘收藏、宣传研究等工作。1990年，“西宁市文物管理站”更名为“西宁市文物管理所”，办公地址搬迁至西宁城隍庙后寝宫院东西厢房。1992年4月25日，根据国家八五计划“市市、县县应成立博物馆”的要求，市编委下发《关于设立西宁市博物馆的批复》“同意在文物管理所增挂西宁市博物馆牌子，两块牌子，一套人员，成立西宁市博物馆。\"
\n2011年在西宁市委市政府的关心支持下，西宁市文物管理所(西宁市博物馆)整体搬迁至南凉虎台遗址公园。新建西宁市文物管理所(西宁市博物馆)建筑面积2000平米，其中展陈面积400平米，库房面积600平米。
\n2020年为适应西宁文博事业发展，依托全国重点文物保护单位沈那遗址建成西宁市博物馆。新建西宁市博物馆建筑面积11267.42平米，是一座集文物展览、收藏、保护、研究及社会教育为一体的综合性博物馆。从此打造具有开放包容，智慧通达和共建共享特征的博物馆，将会成为我们未来的发展方向。我们也相信在我们这一代新的博物馆人的努力下，西宁市博物馆必将成为展示这座城市悠久多元民族历史的重要阵地和靓丽名片。
","createTime":"2024-08-17 16:48:13","createUser":7321,"exId":54,"id":937,"seriesId":129,"sortValue":10000,"status":0,"title":"西宁市博物馆的建设历程","updateTime":"2024-08-19 10:56:46","updateUser":1664171275664359425},{"content":"![](\"https://pic.wentiyun.cn/xining/20240817/1824730009833787393.jpg\")
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为认真贯彻习近平总书记“让文物说话，把历史智慧告诉人们”的重要指示精神，践行西宁市委市政府开启考古盲盒“切实讲好大美青海幸福西宁故事”,加快西宁海东一体化发展的要求。自2023年7月15日起，我馆与河湟文化博物馆通过文物互借的方式，共同策划《河湟陶韵-青海彩陶艺术文物展》先后在湖北武汉、咸宁，山东济南、济宁等地展出，先后共有近30万人/次的游客参观了该展览，中央电视台等多家媒体对该展览进行了专题报道。
\n![](\"https://pic.wentiyun.cn/xining/20240817/1824739172353789954.jpg\")
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为有效促进博物馆资源与中小学课堂教学、综合实践活动的有机结合，并建立中小学生利用博物馆学习的长效机制，引导全市青少年更多地感受家乡的历史文化，感知历史、热爱文物,激发民族自信心和自豪感。本着资源共享、相互协作、互惠互利、共同发展原则，西宁市博物馆先后与青海师范大学历史文化学院、城北区教育局、城西区胜利路小学等签订馆校共建合作协议，就博物馆资源共享，在校学生培养等事宜建立良好合作关系。
","createTime":"2024-08-19 09:27:56","createUser":7321,"exId":54,"id":950,"seriesId":131,"sortValue":10000,"status":0,"title":"博物馆资源共享","updateTime":"2024-08-19 09:33:49","updateUser":7321},{"content":"![](\"https://pic.wentiyun.cn/xining/20240819/1825345574222880770.jpg\")
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沈那遗址位于西宁市城北区小桥村北，北川河与湟水河交汇处的二级台地上。
\n![](\"https://pic.wentiyun.cn/xining/20241014/1845738969105612801.jpg\")
“沈那”为古藏（羌）语的音译，意思是“依山面水，黑刺茂密”的地方。根据地貌勘探，沈那遗址依靠大酉山，能够左右目睹北川河、湟水河(西川河)，且沈那遗址四周陡坡上长满了沙棘灌木林，可见，“沈那”一名十分形象地涵盖了其独特的自然地理环境。
","createTime":"2024-10-14 16:19:39","createUser":7321,"exId":57,"id":976,"seriesId":137,"sortValue":10000,"status":0,"title":"“沈那”一名的由来"},{"content":"沈那遗址占地面积约10万平方米，文化内涵以距今4000年左右的齐家文化为主，兼有少量马家窑文化，1991年至1993年青海省文物考古研究所对沈那遗址进行试掘工作，出土齐家文化居住房址、墓葬、灰坑等遗迹和骨器、石器、陶器等遗物，2016—2018年西宁市博物馆（西宁市文物管理所）对沈那遗址开展全面考古勘探，发现大量的房址、灰坑、墓葬、窑址等遗迹共计451处，就此沈那先民的生活足迹，原始聚落的神秘面纱，隐藏数千年的史前秘密被层层揭开……
\n![](\"https://pic.wentiyun.cn/xining/20241014/1845741480327692290.png\")
衣服是人类文明进步的象征，早在旧石器时代晚期，人们就已经开始穿衣防寒，进入新石器时代后，人类开始了纺纱织布，在沈那遗址考古发掘过程中，就出土了带有细小针眼的骨针、纺轮和骨锥，这表明，沈那先民们已经具备较为成熟的缝缀、纺织技能。
","createTime":"2024-10-14 16:21:44","createUser":7321,"exId":57,"id":978,"seriesId":139,"sortValue":10000,"status":0,"title":"感受沈那先民们的“都市”生活——衣","updateTime":"2024-10-14 16:26:10","updateUser":7321},{"content":"![](\"https://pic.wentiyun.cn/xining/20241014/1845741830803734530.png\")
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齐家文化时期，沈那先民们过着比较稳定的定居生活，经过长期的劳动实践，先民们已经积累了丰富的生产经验，改进了生产工具和生产方法，尤其农业生产在这一时期有了较快的发展。
\n出土的骨铲、石刀、石杵、石磨棒以及大量石镞、骨镞、石矛、刮削器和骨柄石刃刀等工具表明沈那先民的生业方式包括农业、畜牧业和狩猎采集业等多种。
","createTime":"2024-10-14 16:23:36","createUser":7321,"exId":57,"id":982,"seriesId":140,"sortValue":10000,"status":0,"title":"感受沈那先民们的“都市”生活——食","updateTime":"2024-10-14 16:25:58","updateUser":7321},{"content":"![](\"https://pic.wentiyun.cn/xining/20241014/1845742296056905730.png\")
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现代人住宿除了要选择有品质的住宅外，还要追求宜居宜业有助健康长寿的居住环境，那么我们的沈那先民们也同样不例外。“沈那”独特的自然地理环境，极其符合早期人类理想居住地的选择标准，一方面湟水河(西川河)、北川河从两侧经过沈那，充分保障了遗址上聚落人口的水源补给；另一方面沈那遗址位于一处相对独立的自然台地，四周陡坡和坡上茂密的沙棘灌木林，为部落自身安全提供了天然的防御屏障，使其成为西宁盆地最早具有“城防”概念的聚落遗址，是先民认识自然、合理利用自然的典范。
\n沈那遗址发现的房址多为半地穴式，主要分为圆形和方形两种，房内设有圆形和瓢形的灶炕，根据防潮处理方式的不同，房址大多分为白灰面和硬面，白灰面是在房屋居住面上涂抹一层薄薄的熟石灰，硬面则是将居住面用火烧硬，两者都是为防潮而采取的措施。在北方地区，由于气候条件寒冷干燥，这种建筑不仅有利于防寒保暖，而且能抵御野兽的侵袭，是当时北方地区广泛采用的一种建筑形式。
","createTime":"2024-10-14 16:28:01","createUser":7321,"exId":57,"id":988,"seriesId":141,"sortValue":10000,"status":0,"title":"感受沈那先民们的“都市”生活——住"},{"content":"![](\"https://pic.wentiyun.cn/xining/20241014/1845743498987487233.png\")
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在沈那遗址考古勘探中，发掘出土了许多玉璧、玉琮等玉器，这些玉器的制作工艺和社会功用都与中原地区极为相似，这表明沈那先民们和中原地区之间存在着某种形式的技术交流和传承，也反映出齐家文化时期中原与西北地区存在着紧密的联系。
\n![](\"https://pic.wentiyun.cn/xining/20241014/1845744699586035714.png\")
特别值得注意的是，沈那遗址还出土一件极为罕见的铜矛—圆銎阔叶倒钩铜矛(长61.5厘米，宽19.5厘米)，是迄今为止中国境内出土塞伊玛—图尔宾诺式倒钩铜矛中尺寸最大的一件，铜矛形制与来自阿尔泰山脉的塞伊玛—图尔宾诺文化阔叶倒钩铜矛十分相像，塞伊玛—图尔宾诺文化是欧亚草原东部最早的青铜文化之一，这件器物的发现表明两者之间存在直接或间接的联系，也反映出沈那遗址在早期东西方文化交往交流互鉴中发挥着重要的枢纽作用。
\n![](\"https://pic.wentiyun.cn/xining/20241014/1845744858088783873.png\")
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人类和动物的区别就是，在满足自身的物质生活后，还有自己的精神世界，不仅能进行审美艺术的表达，还能对世界产生一套属于自己的看法，沈那先民们在满足基础物质生活后，也在极力地满足自身对精神世界的追求。
","createTime":"2024-10-14 16:38:08","createUser":7321,"exId":57,"id":994,"seriesId":143,"sortValue":10000,"status":0,"title":"感受沈那先民们的“都市”生活——思"},{"content":"遗址出土多件完整的动物肩胛骨，其上有排列有序的火烧痕迹，实为卜骨。卜骨是古代先民占卜用的兽骨，巫师先在选好的兽骨面上施行火灼，然后根据出现的灼痕裂纹形态判断吉凶祸福，这一习俗起源甚早，至迟在马家窑文化时期即已流行。卜骨，作为一种占卜工具，其出土不仅反映了先民们对自然界的认识水平和社会分工情况，还体现了沈那遗址原始宗教、礼仪、祭祀制度的萌芽和发展。
\n![](\"https://pic.wentiyun.cn/xining/20241014/1845746468923817985.png\")
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